Art Journal

Papers
(The TQCC of Art Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Groundwork: Race and Aesthetics in the Era of Stand Your Ground Law10
Texturing Abstraction: Howardena Pindell’s Cut and Sewn Paintings9
Rambunctious Games: A Manifesto for Environmental Game Design6
Blackouts and Other Visual Escapes5
Burning All Illusion: Abstraction, Black Life, and the Unmaking of White Supremacy5
Horizons Already Here: Video Games and Landscape3
Of Particle Systems and Picturesque Ontologies: Landscape, Nature, and Realism in Video Games3
A Syllabus on Transgender and Nonbinary Methods for Art and Art History2
Plural Imagination: Diversity in Mind and Making2
Critical Questions and Embodied Reflections: Trans Visual Culture Today—A Roundtable2
Embedding Constructivism1
Returning to The Scene of the Crime: Gendered and Racialized Violence in Ana Mendieta’s Rape Scene1
In the Making: Queer Publishing and Transpedagogies1
An Orientation to the Sea1
Recalibrating Our Senses: An Ecocritical Art History1
Technology, Engineering, and Feminism: The Hidden Depths of Judy Chicago’s Minimal Art1
Smoke on the Water: Jong Yong Man’s Evening Glow over Kangsŏn and the Grounds for Landscape Painting in North Korea1
Title Page0
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Artist's Pages0
The Many Lives of Gandhi's Hut0
Politics of the (In)Visible: Yumen and Zhuang Hui’s Anti-Art Photography0
Table of Contents0
Two Art Hubs: Berlin and Istanbul0
Funding Information0
Editing the Archive: Alexandra Bell’s Annotation, Redaction, and Epistemic Resistance in Counternarratives0
Context, Cursilería, and Sorrow: Beatriz González0
Director's Letter0
When Seeing Expires: Art History and the Work of Alison Rossiter0
Artist’s Project: Harun Farocki’s Parallel0
Written Reflections0
An Art History to Emerge0
Table of Contents0
Funding Information0
The Construction Mystique: The Revolution as Building Site in Contemporary Art from Cuba0
Advice to a Young Black Artist0
On Dis/Appearance and Familiar Objects: Betye Saar at LACMA0
Marbles0
Roots and webs and nets and branches and bulletin boards and banners and newsletters and mutual-aid text threads0
Models of Resistance0
The Torture of Mothers: Elizabeth Catlett’s Prints as a Call for Reproductive Justice0
Bronze Head of a Black Woman: Renaming and Reframing a Brâncuși Series0
Abstracted Resistance: Third-Worldism in Rubem Valentim’s Afro-Brazilian Symbolism, 1963–660
Infrastructure/Aesthetics0
Table of Contents0
Collective Consciousness in the Age of Crisis0
Picasso and Africa, Again0
Queer (Be)Longing: Glenn Ligon’s Million Man March Series and the Civil Rights Movement’s Legacy0
Artist’s Project: The Long Road of Silicon0
Modernism in Motion: Jean Tinguely’s Meta-Mechanical Reliefs, 1954–590
Funding Information0
Audience in the Archive0
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Thinking How Art Can Be Thought0
Domain Errors within Interactive Speculative Space(s)0
Taking, Breaking, and Re-Making0
Table of Contents0
A Small Matter of Agency0
Condition—Contact—Conversation0
Director’s Letter0
Kay Sage, Modern Architecture, and the Tyranny of Geometry0
Conditions of Possibility0
Plundered Loot0
Crimp’s Last Dance Film Essay0
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Extreme Performances That Lived Inside a Book0
In Improvisation0
Joan Logue’s Newly Rediscovered and Digitized Words, 1–50
Table of Contents0
Reading and Witnessing Cage by Jade Montserrat and Webb-Ellis0
Quarantine Devotion, A Series of Notes or Love at World’s End0
In Conversation with Cildo Meireles0
Director’s Letter0
One Hundred Years of Revolutionary Experiments in Art Education0
Director's Letter0
Negotiating Art and Space in Midtown Manhattan0
Philosophy’s Illustrious Companions0
Editorial Board and Information for Authors0
Repose: Black Nightmares, Black Dreams0
Funding Information0
Editorial Board and Information for Authors0
Title Page0
Editorial Board and Information for Authors0
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Jannis Kounellis: An Epic Journey With No Return0
Editorial Board and Information for Authors0
Table of Contents0
Editorial Board and Information for Authors0
Regarding Family Photography in Contemporary Latinx Art0
Creeping Tender0
Editorial Board and Information for Authors0
For Douglas Crimp0
Archiving the Future0
Title Page0
The Black Joy Archive0
Beyond Binaries: Trans Studies and the Global Contemporary0
The Art of Law and Its Discontents0
NEW FINANCIAL ARCHITECTURES FOR CREATIVE COMMUNITIES (NFACC) aka STRUCTURES TO MAINTAIN YOUR JOY!0
The Uncertain Body: Lin Tianmiao’s Mother Machine and Postsocialist Biopolitics0
Spatial Orders for the Masses0
An Inventory of Shimmers0
Regional Abstraction in Translation0
Director's Letter0
Place, Space and Who0
Living Color: Henryk Stażewski’s Interior Models0
Pope.L: The Body and Its Void0
Table of Contents0
Histories “Made out of Pictures and Words Just Kept”0
Table of Contents0
Editorial Board and Information for Authors0
Director’s Letter0
Director’s Letter0
Funding Information0
Joan Jonas’s Imagist Poetics0
Two Tales of Two Cities: Contemporary Art, Southeast Asia, Divergent Approaches0
Ambient Think Tanks0
“More Than Pictures”0
Art and Feminism Unifying Yugoslavia0
Dreaming of Childhood0
Editorial Board and Information for Authors0
Landscapes of Despair: Book Covers and the Visual Culture of the Opioid Crisis0
Visualizing Animal Trauma and Empty Forest Syndrome in the Moving Imagery of Tuấn Andrew Nguyễn0
Casta State of Mind: Michael Menchaca and the Graphic Revolution of Caste0
Coercive Disobedience: Art and Simulated Transgression0
Touchstones: Lucy Lippard’s Overlay and the Politics of Prehistory0
“The Senses Pointing towards a New Transformation”: On Touch, Collectivity, and Lygia Clark’s The I and the You at the First International Tactile Sculpture Symposium, 19690
Swimming against the Tide: Thoughts on Managing an Art Profession0
The Obama Portraits: Celebration and Elegy0
Unwatchable: Alfredo Jaar, Lament of the Images (2002), and the Ends of Representation0
Table of Contents0
Paperwork: Conceptual Art and the Pink-Collar Worker0
Advice for the Young Artist0
Taking it Personally0
Table of Contents0
The Baton Passed0
Container of Memory: Ideas, Methods, Images0
Editorial Board and Information for Authors0
“Social Fabric”: Photography, Solar Atmospheres, and a Process Ontology in Sonne München, 19940
Environment at War: Capturing Global Conflict in Arab Geographies0
SCAB: Honoring the Memory of Mr. Fred Rouse0
Our Restless Hearts0
Director's Letter0
Land as Protagonist0
Title Page0
Only an Artist Can Tell0
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A Tale of Two Exhibitions0
Director's Letter0
African Art and Art History0
Now’s the Time0
Family Tensions0
Avant-Garde Redux: McLuhan and the Art of Media0
Director's Letter0
Race, Whiteness, and Absence in Studio Practice0
Funding Information0
“El cuerpo de verdad”: The Potency of Magali Lara’s Unpictured Bodies0
Table of Contents0
Editorial Board and Information for Authors0
Director's Letter0
Black Op Art0
Director's Letter0
Haptic Encounters: Margarita Cabrera’s Space in Between0
Ruptured Envelopes, Double Shells: Skins in Art in the Age of Global Mobility0
Alberto Burri and the Image of the Body in Post-Fascist Italy: Reconsidering the “Wound” Motif0
Resonant Presence: Materiality and Memory in the Work of Suchitra Mattai0
Cover Guys: Trans Male Portraits from Original Plumbing Magazine10
Another Way to Decolonize the Curriculum0
Table of Contents0
An Acknowledgment Is Not Enough0
When Images in Haiti Fail: The Photograph of Charlemagne Péralte0
Horizons from Asian American Negation0
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Feeling into Paula Dawson’s Holograms0
Affirm Your Students and Call Out Your Institutions0
Drawn to Picasso and Entangled in Primitivism0
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Connection as a Structuring Principle0
Artist’s Project: Exquisite Corpse, Part 20
Funding Information0
Only Eye Candy? Original Plumbing Magazine’s Remodeling of the (Trans) Male Pin-Up0
Culture and Communism in Bengal0
The Beauty of an Empty Plinth0
Destigmatizing Art History0
Natura Negra0
How Internalized White Supremacy Manifests for My BIPOC Students in Art School0
Pantéon: When the Saints Go Marching! Envisioning an Afro-diasporic Cosmology0
Art-Org-Ask0
Submerged Narratives: Memorializing Enslavement in Eve Sandler’s Mami Wata Crossing0
Art as Communication: Small Diplomacy and The Formation of The Grey Collection0
Parochial Modernism0
Caring for Art History in Vienna0
Interview with Texas Isaiah0
A Beyond-Human Biennale0
Portraits (and) Matter0
Title Page0
Funding Information0
Funding Information0
Artist Statement0
“Who can do something, do what they can”0
Looking Elsewhere0
Lynda Benglis’s Materials0
Activist Wallpaper Series 70
Director's Letter0
Embodied Practices/Practicing Embodiment as a Mode of Solidarity0
When Is Japanese Cinema?0
A Clamoring Revolt: Restaging, Reseeing, and Reteaching the Womb Chair0
Tools for Decolonizing Photography0
Editorial Board and Information for Authors0
Jan Sawka’s Screen Play0
From Pixels to Text: Articulations of the Body in Digital Landscapes and Imagined Space(s)0
Editorial Board and Information for Authors0
A Year at Play in the Woods of Walden Pond0
Funding Information0
Roberto Matta’s Embargo Primitivism: Making a Mural with “Cuba’s Own Soil,” 19630
Title Page0
Funding Information0
Alternative Spaces in Chicago, Alternative Histories of Chicago0
Modes of Dissent0
Devil’s Promenade0
Rotimi Fani-Kayode and Eikoh Hosoe: Surrealism and the Specter of Death in the 1980s0
Architecture and Bureaucracy, a Chronicle0
A Suitable Distance? Revisiting a Millennial Approach to Curating Art in the Caribbean0
Through the Guillotine Mirror: Claude Cahun’s Theory of Trans against the Void0
Beyond a Politics of Location: On Asian/American Art Workers and Art0
Sensing, Sensitizing, and Speculating: The Work of Artworks in the Climate Crisis Era0
Title Page0
Table of Contents0
Director's Letter0
Editorial Board and Information for Authors0
Funding Information0
Delete the Idea Down: James Lee Byars and the Performance of Abbreviation0
Breaking Out of the Known0
The Network and the Collective0
With Each Other0
The Color of Joy: Reconsidering Critical Race Visual Culture0
The Technicity of Blackness: On Failures and Fissures in the Art of Sondra Perry0
Pangs of Intimate Recognition0
Caring to Notice: Sera Waters’ Disentangled Pasts, Attentive Reparation and Truth-Telling Toward Survivable Futures0
Editorial Board and Information for Authors0
Interview with Phil Solomon0
Altar, Tender: Sitting with devynn emory’s can anybody help me hold this body0
Red Windows on the World0
Song Dong’s Performative Futility: Action, Impact, and Efficacy in Contemporary Chinese Performance Art0
Director’s Letter0
Archives in Endemic Time0
Title Page0
An Outsider in Grand Theft Auto: Phil Solomon0
Listening to Echoes: Racial Violence in Contemporary Art History0
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