Art Journal

Papers
(The TQCC of Art Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)
ArticleCitations
Editorial Board and Information for Authors4
The Technicity of Blackness: On Failures and Fissures in the Art of Sondra Perry3
Editorial Board and Information for Authors3
Title Page1
Family Tensions1
A Suitable Distance? Revisiting a Millennial Approach to Curating Art in the Caribbean1
Editorial Board and Information for Authors1
Editorial Board and Information for Authors1
In Conversation with Cildo Meireles1
“The Senses Pointing towards a New Transformation”: On Touch, Collectivity, and Lygia Clark’s The I and the You at the First International Tactile Sculpture Symposium, 19690
Editorial Board and Information for Authors0
Condition—Contact—Conversation0
The Curatorial Art of Karin Higa0
Editorial Board and Information for Authors0
Witness Trees: Ken Gonzales-Day Re-surveys the US West0
Two Tales of Two Cities: Contemporary Art, Southeast Asia, Divergent Approaches0
Editorial Board and Information for Authors0
Unwatchable: Alfredo Jaar, Lament of the Images (2002), and the Ends of Representation0
Archives in Endemic Time0
Director's Letter0
Two Art Hubs: Berlin and Istanbul0
Visualizing Animal Trauma and Empty Forest Syndrome in the Moving Imagery of Tuấn Andrew Nguyễn0
The Baton Passed0
Funding Information0
Title Page0
Touchstones: Lucy Lippard’s Overlay and the Politics of Prehistory0
When Seeing Expires: Art History and the Work of Alison Rossiter0
Title Page0
Pangs of Intimate Recognition0
Coercive Disobedience: Art and Simulated Transgression0
Modern Turkish Art: Domestic Networks, Foreign Funds0
Portraits (and) Matter0
Funding Information0
Funding Information0
Fugitive Utterances in Modernity’s Song0
Funding Information0
Robert Blanchon: AIDS and the Question of Conceptualism0
Listening to Echoes: Racial Violence in Contemporary Art History0
Creeping Tender0
Cover Guys: Trans Male Portraits from Original Plumbing Magazine10
“Politics in Matter”: Concrete Expressions in Contemporary Palestinian Art of Resistance0
Lynda Benglis’s Materials0
Director's Letter0
Our Restless Hearts0
Another Way to Decolonize the Curriculum0
Editing the Archive: Alexandra Bell’s Annotation, Redaction, and Epistemic Resistance in Counternarratives0
Archiving the Future0
Critical Questions and Embodied Reflections: Trans Visual Culture Today—A Roundtable0
Pictures for Charis0
Editorial Board and Information for Authors0
Smoke on the Water: Jong Yong Man’s Evening Glow over Kangsŏn and the Grounds for Landscape Painting in North Korea0
Table of Contents0
Art as Communication: Small Diplomacy and The Formation of The Grey Collection0
Table of Contents0
Activist Wallpaper Series 70
Reflections on Black0
African Art and Art History0
Table of Contents0
Histories “Made out of Pictures and Words Just Kept”0
In Improvisation0
Director's Letter0
Director’s Letter0
Table of Contents0
“El cuerpo de verdad”: The Potency of Magali Lara’s Unpictured Bodies0
Director’s Letter0
Models of Resistance0
Director's Letter0
Funding Information0
Red Windows on the World0
Funding Information0
Funding Information0
Dreaming of Childhood0
The Politics of Taking No Position: Jay Chung and Q Takeki Maeda0
Funding Information0
Spatial Orders for the Masses0
Editorial Board and Information for Authors0
Kay Sage, Modern Architecture, and the Tyranny of Geometry0
Editorial Board and Information for Authors0
Title Page0
Funding Infomration0
Through the Guillotine Mirror: Claude Cahun’s Theory of Trans against the Void0
Beyond a Politics of Location: On Asian/American Art Workers and Art0
Plural Imagination: Diversity in Mind and Making0
Connection as a Structuring Principle0
Collective Consciousness in the Age of Crisis0
Table of Contents0
The Challenge of the Peer Review0
Sitting with the Matter of Black Life0
When Images in Haiti Fail: The Photograph of Charlemagne Péralte0
A Beyond-Human Biennale0
Marbles0
Quarantine Devotion, A Series of Notes or Love at World’s End0
Affirm Your Students and Call Out Your Institutions0
Table of Contents0
Place, Space and Who0
Table of Contents0
Art and Feminism Unifying Yugoslavia0
Repose: Black Nightmares, Black Dreams0
Joan Logue’s Newly Rediscovered and Digitized Words, 1–50
Institutional Antics0
Table of Contents0
Horizons from Asian American Negation0
Art as Surgery: Hygiene Politics in Zhang Peili’s Glove Art, 1985–910
Abstracted Resistance: Third-Worldism in Rubem Valentim’s Afro-Brazilian Symbolism, 1963–660
Infrastructure/Aesthetics0
The Torture of Mothers: Elizabeth Catlett’s Prints as a Call for Reproductive Justice0
Taking, Breaking, and Re-Making0
Only an Artist Can Tell0
DRC No. 12: A “Migratory” Site of Glocal Specificity0
Title Page0
Funding Information0
Table of Contents0
An Acknowledgment Is Not Enough0
Title Page0
Table of Contents0
The Disposables : Critical Plastic for Art Reform0
Funding Information0
Unearthing Mexico City0
Editorial Board and Information for Authors0
The Art of Law and Its Discontents0
Feeling into Paula Dawson’s Holograms0
Title Page0
Philosophy’s Illustrious Companions0
Race, Whiteness, and Absence in Studio Practice0
Rotimi Fani-Kayode and Eikoh Hosoe: Surrealism and the Specter of Death in the 1980s0
Beyond Binaries: Trans Studies and the Global Contemporary0
Director's Letter0
Funding Information0
The Color of Joy: Reconsidering Critical Race Visual Culture0
Destigmatizing Art History0
Experience as Art History0
Table of Contents0
How Internalized White Supremacy Manifests for My BIPOC Students in Art School0
Container of Memory: Ideas, Methods, Images0
A Tale of Two Exhibitions0
Delete the Idea Down: James Lee Byars and the Performance of Abbreviation0
An/Aesthetics of Infrastructural Ruination: On Jumana Manna’s Thirty Plumbers in the Belly0
With Each Other0
Parochial Modernism0
Caring to Notice: Sera Waters’ Disentangled Pasts, Attentive Reparation and Truth-Telling Toward Survivable Futures0
Director’s Letter0
Resonant Presence: Materiality and Memory in the Work of Suchitra Mattai0
Paperwork: Conceptual Art and the Pink-Collar Worker0
SCAB: Honoring the Memory of Mr. Fred Rouse0
An Art History to Emerge0
Silent Voices and Absent Referents0
Director’s Letter0
Visionary or Voyeur: Lionel Wendt and the Contradictions of Late Colonial Modernity in Ceylon0
A Syllabus on Transgender and Nonbinary Methods for Art and Art History0
One Hundred Years of Revolutionary Experiments in Art Education0
Ruptured Envelopes, Double Shells: Skins in Art in the Age of Global Mobility0
Title Page0
Swimming against the Tide: Thoughts on Managing an Art Profession0
Submerged Narratives: Memorializing Enslavement in Eve Sandler’s Mami Wata Crossing0
Title Page0
Director's Letter0
Table of Contents0
Editorial Board and Information for Authors0
The Construction Mystique: The Revolution as Building Site in Contemporary Art from Cuba0
Funding Information0
Caring for Art History in Vienna0
Foundation of Kindness, Shared Experiences, Shared Burden0
Funding Information0
NEW FINANCIAL ARCHITECTURES FOR CREATIVE COMMUNITIES (NFACC) aka STRUCTURES TO MAINTAIN YOUR JOY!0
Bronze Head of a Black Woman: Renaming and Reframing a Brâncuși Series0
Table of Contents0
“Who can do something, do what they can”0
The Many Lives of Gandhi's Hut0
Jan Sawka’s Screen Play0
The Beauty of an Empty Plinth0
A Small Matter of Agency0
Director's Letter0
Advice for the Young Artist0
Table of Contents0
Art-Org-Ask0
The Network and the Collective0
Architecture and Bureaucracy, a Chronicle0
Environment at War: Capturing Global Conflict in Arab Geographies0
Living Color: Henryk Stażewski’s Interior Models0
Landscapes of Despair: Book Covers and the Visual Culture of the Opioid Crisis0
The Black Joy Archive0
Director’s Letter0
Expand | Contract: Fugitive Visualities0
Casta State of Mind: Michael Menchaca and the Graphic Revolution of Caste0
Title Page0
Hitler Asleep in the Mercedes0
Editorial Board and Information for Authors0
An Inventory of Shimmers0
Song Dong’s Performative Futility: Action, Impact, and Efficacy in Contemporary Chinese Performance Art0
Writing Time: The Shufa of Fung Ming Chip0
Petrit Halilaj’s Memory Objects0
Title Page0
Editorial Board and Information for Authors0
Title Page0
Avant-Garde Redux: McLuhan and the Art of Media0
Droids, Dreams, and Desires: Decoding Rajni Perera’s The Vessel with Two Mouths0
Director's Letter0
Director's Letter0
Reading and Witnessing Cage by Jade Montserrat and Webb-Ellis0
Only Eye Candy? Original Plumbing Magazine’s Remodeling of the (Trans) Male Pin-Up0
Culture and Communism in Bengal0
Modes of Dissent0
Jannis Kounellis: An Epic Journey With No Return0
Returning to The Scene of the Crime: Gendered and Racialized Violence in Ana Mendieta’s Rape Scene0
Cashing in the Intangible Assets of Whiteness0
Negotiating Art and Space in Midtown Manhattan0
Devil’s Promenade0
Pantéon: When the Saints Go Marching! Envisioning an Afro-diasporic Cosmology0
Sensing, Sensitizing, and Speculating: The Work of Artworks in the Climate Crisis Era0
Witnessing Histories0
Title Page0
Plundered Loot0
Roots and webs and nets and branches and bulletin boards and banners and newsletters and mutual-aid text threads0
Black Op Art0
Art, Feminism, and Religious Rituals: Ecofeminism and Helène Aylon’s Court Trial0
To an Always Knowing0
Empathy, Mutuality, and the Potentialities of the Visual0
Advice to a Young Black Artist0
When Is Japanese Cinema?0
A Clamoring Revolt: Restaging, Reseeing, and Reteaching the Womb Chair0
Breaking Out of the Known0
In the Making: Queer Publishing and Transpedagogies0
When the Dust Has Settled: What Was the Archival Turn, and Is It Still Turning? 10
Title Page0
Altar, Tender: Sitting with devynn emory’s can anybody help me hold this body0
The Uncertain Body: Lin Tianmiao’s Mother Machine and Postsocialist Biopolitics0
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