Art Journal

Papers
(The TQCC of Art Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
With Each Other5
Horizons from Asian American Negation4
Reading and Witnessing Cage by Jade Montserrat and Webb-Ellis3
Title Page1
The Art of Law and Its Discontents1
Editorial Board and Information for Authors1
African Art and Art History1
Director's Letter1
The Politics of Taking No Position: Jay Chung and Q Takeki Maeda1
Altar, Tender: Sitting with devynn emory’s can anybody help me hold this body0
Title Page0
Critical Questions and Embodied Reflections: Trans Visual Culture Today—A Roundtable0
The Challenge of the Peer Review0
Unwatchable: Alfredo Jaar, Lament of the Images (2002), and the Ends of Representation0
Cover Guys: Trans Male Portraits from Original Plumbing Magazine10
National Parks in Prospect0
When Images in Haiti Fail: The Photograph of Charlemagne Péralte0
DRC No. 12: A “Migratory” Site of Glocal Specificity0
Funding Information0
Funding Information0
The Baton Passed0
Collective Consciousness in the Age of Crisis0
Blackness, Death, and Visuality0
Editorial Board and Information for Authors0
Table of Contents0
Table of Contents0
A Syllabus on Transgender and Nonbinary Methods for Art and Art History0
Droids, Dreams, and Desires: Decoding Rajni Perera’s The Vessel with Two Mouths0
Title Page0
Institutional Antics0
Editorial Board and Information for Authors0
Advice to a Young Black Artist0
Table of Contents0
Coercive Disobedience: Art and Simulated Transgression0
Director's Letter0
Joan Logue’s Newly Rediscovered and Digitized Words, 1–50
Director's Letter0
Passing Through: Plains Indigenous Art and Hospitality in Glacier National Park0
“El cuerpo de verdad”: The Potency of Magali Lara’s Unpictured Bodies0
Activist Wallpaper Series 70
Race, Whiteness, and Absence in Studio Practice0
The Network and the Collective0
To an Always Knowing0
Witnessing Histories0
Director's Letter0
Only an Artist Can Tell0
Funding Information0
Editorial Board and Information for Authors0
In the Making: Queer Publishing and Transpedagogies0
Director's Letter0
In Conversation with Cildo Meireles0
Director's Letter0
Patterns of Possession: H. R. Mallinson & Co.’s “American National Park” Silks0
Ruptured Envelopes, Double Shells: Skins in Art in the Age of Global Mobility0
The Construction Mystique: The Revolution as Building Site in Contemporary Art from Cuba0
Title Page0
The Technicity of Blackness: On Failures and Fissures in the Art of Sondra Perry0
Table of Contents0
Vistas0
Art, Feminism, and Religious Rituals: Ecofeminism and Helène Aylon’s Court Trial0
Listening to Echoes: Racial Violence in Contemporary Art History0
Art-Org-Ask0
Through the Guillotine Mirror: Claude Cahun’s Theory of Trans against the Void0
Container of Memory: Ideas, Methods, Images0
Looking Beyond European Publics0
Director’s Letter0
Director’s Letter0
Song Dong’s Performative Futility: Action, Impact, and Efficacy in Contemporary Chinese Performance Art0
Title Page0
A Small Matter of Agency0
Pangs of Intimate Recognition0
A Beyond-Human Biennale0
An Art History to Emerge0
Critique and Engagement in America’s National Parks0
Our Restless Hearts0
Director's Letter0
Beyond a Politics of Location: On Asian/American Art Workers and Art0
Balancing Perfectly: Binh Danh in Conversation with Shana Lopes0
Robert Blanchon: AIDS and the Question of Conceptualism0
Two Art Hubs: Berlin and Istanbul0
Experience as Art History0
Another Way to Decolonize the Curriculum0
The Built and the Grown: Charles Simonds’s Memorial to Stanley Tankel at Gateway0
A Tale of Two Exhibitions0
Lynda Benglis’s Materials0
Jan Sawka’s Screen Play0
Table of Contents0
Foundation of Kindness, Shared Experiences, Shared Burden0
Abstracted Resistance: Third-Worldism in Rubem Valentim’s Afro-Brazilian Symbolism, 1963–660
Dreaming of Childhood0
Editorial Board and Information for Authors0
NEW FINANCIAL ARCHITECTURES FOR CREATIVE COMMUNITIES (NFACC) aka STRUCTURES TO MAINTAIN YOUR JOY!0
Funding Information0
Plundered Loot0
Architecture and Bureaucracy, a Chronicle0
An Acknowledgment Is Not Enough0
Sitting with the Matter of Black Life0
Jannis Kounellis: An Epic Journey With No Return0
Plural Imagination: Diversity in Mind and Making0
Table of Contents0
The Disposables : Critical Plastic for Art Reform0
Director’s Letter0
Expand | Contract: Fugitive Visualities0
Art as Surgery: Hygiene Politics in Zhang Peili’s Glove Art, 1985–910
The Black Joy Archive0
The Camera vs. the Brush: Photography, Art, and the Contested Representation of the American West0
Table of Contents0
Unearthing Mexico City0
Fugitive Utterances in Modernity’s Song0
Ovoidism in Lenape Land0
Title Page0
Advice for the Young Artist0
Caring to Notice: Sera Waters’ Disentangled Pasts, Attentive Reparation and Truth-Telling Toward Survivable Futures0
Taking, Breaking, and Re-Making0
Modern Turkish Art: Domestic Networks, Foreign Funds0
Title Page0
Funding Information0
Creeping Tender0
Title Page0
Title Page0
Title Page0
Sensing, Sensitizing, and Speculating: The Work of Artworks in the Climate Crisis Era0
An Inventory of Shimmers0
Submerged Narratives: Memorializing Enslavement in Eve Sandler’s Mami Wata Crossing0
Editorial Board and Information for Authors0
A Clamoring Revolt: Restaging, Reseeing, and Reteaching the Womb Chair0
Funding Information0
Philosophy’s Illustrious Companions0
Director's Letter0
When Seeing Expires: Art History and the Work of Alison Rossiter0
Casta State of Mind: Michael Menchaca and the Graphic Revolution of Caste0
Engaging Audiences through Artistic Collaborations in National Parks0
Editorial Board and Information for Authors0
Condition—Contact—Conversation0
In Improvisation0
Roots and webs and nets and branches and bulletin boards and banners and newsletters and mutual-aid text threads0
Witness Trees: Ken Gonzales-Day Re-surveys the US West0
“Politics in Matter”: Concrete Expressions in Contemporary Palestinian Art of Resistance0
Visualizing Animal Trauma and Empty Forest Syndrome in the Moving Imagery of Tuấn Andrew Nguyễn0
Table of Contents0
Editorial Board and Information for Authors0
Table of Contents0
Table of Contents0
Beyond Binaries: Trans Studies and the Global Contemporary0
It’s the Pleasure Principle0
Returning to The Scene of the Crime: Gendered and Racialized Violence in Ana Mendieta’s Rape Scene0
The Curatorial Art of Karin Higa0
Touchstones: Lucy Lippard’s Overlay and the Politics of Prehistory0
Editorial Board and Information for Authors0
An/Aesthetics of Infrastructural Ruination: On Jumana Manna’s Thirty Plumbers in the Belly0
Breaking Out of the Known0
Destigmatizing Art History0
Living Color: Henryk Stażewski’s Interior Models0
Funding Information0
Landscapes of Despair: Book Covers and the Visual Culture of the Opioid Crisis0
The Beauty of an Empty Plinth0
Quarantine Devotion, A Series of Notes or Love at World’s End0
Pennington County, SD, May 1936: Arthur Rothstein’s Steer Skull and Badlands National Monument0
National Identity, Ideology, and the American Landscape0
Avant-Garde Redux: McLuhan and the Art of Media0
Funding Information0
Reflections on Black0
Resonant Presence: Materiality and Memory in the Work of Suchitra Mattai0
The Many Lives of Gandhi's Hut0
Cashing in the Intangible Assets of Whiteness0
When Is Japanese Cinema?0
Title Page0
Place, Space and Who0
Table of Contents0
Rotimi Fani-Kayode and Eikoh Hosoe: Surrealism and the Specter of Death in the 1980s0
Funding Information0
Kay Sage, Modern Architecture, and the Tyranny of Geometry0
“The Senses Pointing towards a New Transformation”: On Touch, Collectivity, and Lygia Clark’s The I and the You at the First International Tactile Sculpture Symposium, 19690
Paperwork: Conceptual Art and the Pink-Collar Worker0
Director's Letter0
Silent Voices and Absent Referents0
Visionary or Voyeur: Lionel Wendt and the Contradictions of Late Colonial Modernity in Ceylon0
Funding Infomration0
Archiving the Future0
Devil’s Promenade0
Pantéon: When the Saints Go Marching! Envisioning an Afro-diasporic Cosmology0
Table of Contents0
Funding Information0
Negotiating Art and Space in Midtown Manhattan0
Infrastructure/Aesthetics0
Art and Feminism Unifying Yugoslavia0
Histories “Made out of Pictures and Words Just Kept”0
Spatial Orders for the Masses0
Black Op Art0
Funding Information0
When the Dust Has Settled: What Was the Archival Turn, and Is It Still Turning? 10
Hitler Asleep in the Mercedes0
Title Page0
Director's Letter0
Archives in Endemic Time0
A Suitable Distance? Revisiting a Millennial Approach to Curating Art in the Caribbean0
Repose: Black Nightmares, Black Dreams0
Petrit Halilaj’s Memory Objects0
“Who can do something, do what they can”0
Editorial Board and Information for Authors0
Two Tales of Two Cities: Contemporary Art, Southeast Asia, Divergent Approaches0
The Uncertain Body: Lin Tianmiao’s Mother Machine and Postsocialist Biopolitics0
Marbles0
Family Tensions0
Modes of Dissent0
Editorial Board and Information for Authors0
Table of Contents0
Portraits (and) Matter0
Funding Information0
Pictures for Charis0
Feeling into Paula Dawson’s Holograms0
One Hundred Years of Revolutionary Experiments in Art Education0
Writing Time: The Shufa of Fung Ming Chip0
SCAB: Honoring the Memory of Mr. Fred Rouse0
Bronze Head of a Black Woman: Renaming and Reframing a Brâncuși Series0
Editorial Board and Information for Authors0
Title Page0
Editorial Board and Information for Authors0
Parochial Modernism0
Swimming against the Tide: Thoughts on Managing an Art Profession0
“Meet the Ranger Naturalist”: New Deal–Era Interpretation and National Park Service Posters0
The Color of Joy: Reconsidering Critical Race Visual Culture0
Empathy, Mutuality, and the Potentialities of the Visual0
Table of Contents0
Only Eye Candy? Original Plumbing Magazine’s Remodeling of the (Trans) Male Pin-Up0
Editorial Board and Information for Authors0
Title Page0
Environment at War: Capturing Global Conflict in Arab Geographies0
Funding Information0
Director’s Letter0
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