Art Journal

Papers
(The median citation count of Art Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
Horizons from Asian American Negation5
African Art and Art History4
Title Page3
Reading and Witnessing Cage by Jade Montserrat and Webb-Ellis2
Director's Letter2
Title Page1
Fugitive Utterances in Modernity’s Song1
The Art of Law and Its Discontents1
Activist Wallpaper Series 71
Infrastructure/Aesthetics1
The Politics of Taking No Position: Jay Chung and Q Takeki Maeda1
Finding Mutuality1
Submerged Narratives: Memorializing Enslavement in Eve Sandler’s Mami Wata Crossing0
Passing Through: Plains Indigenous Art and Hospitality in Glacier National Park0
Philosophy’s Illustrious Companions0
“El cuerpo de verdad”: The Potency of Magali Lara’s Unpictured Bodies0
Nalini0
Plural Imagination: Diversity in Mind and Making0
Editorial Board and Information for Authors0
Editorial Board and Information for Authors0
To an Always Knowing0
Director's Letter0
An/Aesthetics of Infrastructural Ruination: On Jumana Manna’s Thirty Plumbers in the Belly0
Director's Letter0
Ovoidism in Lenape Land0
Bronze Head of a Black Woman: Renaming and Reframing a Brâncuși Series0
Witnessing Histories0
Editorial Board and Information for Authors0
Droids, Dreams, and Desires: Decoding Rajni Perera’s The Vessel with Two Mouths0
Title Page0
When Seeing Expires: Art History and the Work of Alison Rossiter0
Devil’s Promenade0
Feeling into Paula Dawson’s Holograms0
Patterns of Possession: H. R. Mallinson & Co.’s “American National Park” Silks0
Table of Contents0
Witness Trees: Ken Gonzales-Day Re-surveys the US West0
Race, Whiteness, and Absence in Studio Practice0
Title Page0
Title Page0
Through the Guillotine Mirror: Claude Cahun’s Theory of Trans against the Void0
Table of Contents0
Environment at War: Capturing Global Conflict in Arab Geographies0
Repose: Black Nightmares, Black Dreams0
“Meet the Ranger Naturalist”: New Deal–Era Interpretation and National Park Service Posters0
Casta State of Mind: Michael Menchaca and the Graphic Revolution of Caste0
Funding Information0
A Beyond-Human Biennale0
Sitting with the Matter of Black Life0
Pictures for Charis0
Beyond Binaries: Trans Studies and the Global Contemporary0
Table of Contents0
“Politics in Matter”: Concrete Expressions in Contemporary Palestinian Art of Resistance0
Avant-Garde Redux: McLuhan and the Art of Media0
The Technicity of Blackness: On Failures and Fissures in the Art of Sondra Perry0
Touchstones: Lucy Lippard’s Overlay and the Politics of Prehistory0
Editorial Board and Information for Authors0
Roots and webs and nets and branches and bulletin boards and banners and newsletters and mutual-aid text threads0
Pennington County, SD, May 1936: Arthur Rothstein’s Steer Skull and Badlands National Monument0
Returning to The Scene of the Crime: Gendered and Racialized Violence in Ana Mendieta’s Rape Scene0
Funding Information0
A Clamoring Revolt: Restaging, Reseeing, and Reteaching the Womb Chair0
Funding Information0
Petrit Halilaj’s Memory Objects0
Breaking Out of the Known0
No Man Can Serve Two Masters: A Critique of Mastery in Charles White’s Sound of Silence0
National Identity, Ideology, and the American Landscape0
Kay Sage, Modern Architecture, and the Tyranny of Geometry0
National Parks in Prospect0
Altar, Tender: Sitting with devynn emory’s can anybody help me hold this body0
Quarantine Devotion, A Series of Notes or Love at World’s End0
Funding Information0
Table of Contents0
The Curatorial Art of Karin Higa0
“The Senses Pointing towards a New Transformation”: On Touch, Collectivity, and Lygia Clark’s The I and the You at the First International Tactile Sculpture Symposium, 19690
The Challenge of the Peer Review0
Director's Letter0
Funding Information0
When Images in Haiti Fail: The Photograph of Charlemagne Péralte0
Table of Contents0
Visualizing Surveillance: Between Transparency and Opacity0
The Disposables : Critical Plastic for Art Reform0
Unearthing Mexico City0
Jannis Kounellis: An Epic Journey With No Return0
Table of Contents0
Title Page0
Funding Information0
Portraits (and) Matter0
Taking, Breaking, and Re-Making0
Robert Blanchon: AIDS and the Question of Conceptualism0
Paperwork: Conceptual Art and the Pink-Collar Worker0
The Construction Mystique: The Revolution as Building Site in Contemporary Art from Cuba0
Black Op Art0
Title Page0
Title Page0
Editorial Board and Information for Authors0
Rotimi Fani-Kayode and Eikoh Hosoe: Surrealism and the Specter of Death in the 1980s0
Editorial Board and Information for Authors0
Two Tales of Two Cities: Contemporary Art, Southeast Asia, Divergent Approaches0
Family Tensions0
Pantéon: When the Saints Go Marching! Envisioning an Afro-diasporic Cosmology0
Formalist Solidarity: Nikki Luna and Resquicio Colectivo against Gendered Violence0
Editorial Board and Information for Authors0
Director's Letter0
A Small Matter of Agency0
Title Page0
Between Land and a Raised Foot : Thania Petersen Stands Her Ground0
An Inventory of Shimmers0
Modern Turkish Art: Domestic Networks, Foreign Funds0
Writing Time: The Shufa of Fung Ming Chip0
Funding Information0
Is the Global (Still) Art History’s Future?0
Editorial Board and Information for Authors0
Title Page0
Parochial Modernism0
Jan Sawka’s Screen Play0
Director's Letter0
Song Dong’s Performative Futility: Action, Impact, and Efficacy in Contemporary Chinese Performance Art0
Ruptured Envelopes, Double Shells: Skins in Art in the Age of Global Mobility0
Director’s Letter0
Bridging the Cultures or Gazing from Outside: The Need to Revisit Eurasia in Art0
Editorial Board and Information for Authors0
Looking Beyond European Publics0
Art, Feminism, and Religious Rituals: Ecofeminism and Helène Aylon’s Court Trial0
Destigmatizing Art History0
SCAB: Honoring the Memory of Mr. Fred Rouse0
Cover Guys: Trans Male Portraits from Original Plumbing Magazine10
The Uncertain Body: Lin Tianmiao’s Mother Machine and Postsocialist Biopolitics0
Table of Contents0
An Art History to Emerge0
Funding Information0
Another Way to Decolonize the Curriculum0
The Color of Joy: Reconsidering Critical Race Visual Culture0
The Baton Passed0
Title Page0
Only Eye Candy? Original Plumbing Magazine’s Remodeling of the (Trans) Male Pin-Up0
Title Page0
Table of Contents0
Funding Infomration0
A Syllabus on Transgender and Nonbinary Methods for Art and Art History0
Collective Consciousness in the Age of Crisis0
Resonant Presence: Materiality and Memory in the Work of Suchitra Mattai0
Table of Contents0
Funding Information0
One Hundred Years of Revolutionary Experiments in Art Education0
Spatial Orders for the Masses0
Reflections on Black0
An Acknowledgment Is Not Enough0
Funding Information0
Table of Contents0
Place, Space and Who0
DRC No. 12: A “Migratory” Site of Glocal Specificity0
Histories “Made out of Pictures and Words Just Kept”0
The Camera vs. the Brush: Photography, Art, and the Contested Representation of the American West0
When the Dust Has Settled: What Was the Archival Turn, and Is It Still Turning? 10
Negotiating Art and Space in Midtown Manhattan0
Archiving the Future0
When Is Japanese Cinema?0
Editorial Board and Information for Authors0
Silent Voices and Absent Referents0
Director's Letter0
Funding Information0
Table of Contents0
Title Page0
Visualizing Animal Trauma and Empty Forest Syndrome in the Moving Imagery of Tuấn Andrew Nguyễn0
Caring to Notice: Sera Waters’ Disentangled Pasts, Attentive Reparation and Truth-Telling Toward Survivable Futures0
In the Making: Queer Publishing and Transpedagogies0
In Conversation with Cildo Meireles0
Two Art Hubs: Berlin and Istanbul0
Queer World Making: Contemporary Middle Eastern Diasporic Art0
Director’s Letter0
Engaging Audiences through Artistic Collaborations in National Parks0
Vistas0
Marbles0
Table of Contents0
Listening to Echoes: Racial Violence in Contemporary Art History0
Art and Feminism Unifying Yugoslavia0
Balancing Perfectly: Binh Danh in Conversation with Shana Lopes0
Archives in Endemic Time0
Director’s Letter0
Institutional Antics0
Sensing, Sensitizing, and Speculating: The Work of Artworks in the Climate Crisis Era0
It’s the Pleasure Principle0
“Who can do something, do what they can”0
Empathy, Mutuality, and the Potentialities of the Visual0
Container of Memory: Ideas, Methods, Images0
Expand | Contract: Fugitive Visualities0
Critique and Engagement in America’s National Parks0
Condition—Contact—Conversation0
Director's Letter0
Director's Letter0
Beyond a Politics of Location: On Asian/American Art Workers and Art0
A Tale of Two Exhibitions0
Editorial Board and Information for Authors0
Pangs of Intimate Recognition0
Table of Contents0
Visionary or Voyeur: Lionel Wendt and the Contradictions of Late Colonial Modernity in Ceylon0
Foundation of Kindness, Shared Experiences, Shared Burden0
Title Page0
Dreaming of Childhood0
Funding Information0
Lynda Benglis’s Materials0
Editorial Board and Information for Authors0
Our Restless Hearts0
The Many Lives of Gandhi's Hut0
The Built and the Grown: Charles Simonds’s Memorial to Stanley Tankel at Gateway0
Editorial Board and Information for Authors0
Editorial Board and Information for Authors0
Landscapes of Despair: Book Covers and the Visual Culture of the Opioid Crisis0
Experience as Art History0
The Black Joy Archive0
Chicago’s Sapphire & Crystals: Protest, Community, and Care during COVID0
Art as Surgery: Hygiene Politics in Zhang Peili’s Glove Art, 1985–910
Table of Contents0
Plundered Loot0
Cashing in the Intangible Assets of Whiteness0
Director's Letter0
The Beauty of an Empty Plinth0
Hitler Asleep in the Mercedes0
Critical Questions and Embodied Reflections: Trans Visual Culture Today—A Roundtable0
A Suitable Distance? Revisiting a Millennial Approach to Curating Art in the Caribbean0
Funding Information0
Joan Logue’s Newly Rediscovered and Digitized Words, 1–50
Blackness, Death, and Visuality0
Director’s Letter0
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