Art Journal

Papers
(The median citation count of Art Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
A Syllabus on Transgender and Nonbinary Methods for Art and Art History4
Plural Imagination: Diversity in Mind and Making3
Critical Questions and Embodied Reflections: Trans Visual Culture Today—A Roundtable3
Recalibrating Our Senses: An Ecocritical Art History1
The Black Joy Archive1
Smoke on the Water: Jong Yong Man’s Evening Glow over Kangsŏn and the Grounds for Landscape Painting in North Korea1
Returning to The Scene of the Crime: Gendered and Racialized Violence in Ana Mendieta’s Rape Scene1
Submerged Narratives: Memorializing Enslavement in Eve Sandler’s Mami Wata Crossing1
An Orientation to the Sea1
In the Making: Queer Publishing and Transpedagogies1
Technology, Engineering, and Feminism: The Hidden Depths of Judy Chicago’s Minimal Art1
Through the Guillotine Mirror: Claude Cahun’s Theory of Trans against the Void1
Landscapes of Despair: Book Covers and the Visual Culture of the Opioid Crisis0
African Art and Art History0
Title Page0
Coercive Disobedience: Art and Simulated Transgression0
Conditions of Possibility0
Title Page0
Title Page0
Interview with Texas Isaiah0
“El cuerpo de verdad”: The Potency of Magali Lara’s Unpictured Bodies0
Director’s Letter0
Art and Feminism Unifying Yugoslavia0
Editorial Board and Information for Authors0
Funding Information0
Horizons from Asian American Negation0
Title Page0
“The Senses Pointing towards a New Transformation”: On Touch, Collectivity, and Lygia Clark’s The I and the You at the First International Tactile Sculpture Symposium, 19690
Title Page0
Condition—Contact—Conversation0
Table of Contents0
Kay Sage, Modern Architecture, and the Tyranny of Geometry0
Culture and Communism in Bengal0
Repose: Black Nightmares, Black Dreams0
Robert Blanchon: AIDS and the Question of Conceptualism0
Connection as a Structuring Principle0
Table of Contents0
Caring for Art History in Vienna0
Only an Artist Can Tell0
“Politics in Matter”: Concrete Expressions in Contemporary Palestinian Art of Resistance0
A Beyond-Human Biennale0
Table of Contents0
Art as Surgery: Hygiene Politics in Zhang Peili’s Glove Art, 1985–910
Caring to Notice: Sera Waters’ Disentangled Pasts, Attentive Reparation and Truth-Telling Toward Survivable Futures0
Director’s Letter0
Table of Contents0
Table of Contents0
Editorial Board and Information for Authors0
Delete the Idea Down: James Lee Byars and the Performance of Abbreviation0
Funding Information0
When Images in Haiti Fail: The Photograph of Charlemagne Péralte0
Silent Voices and Absent Referents0
Funding Information0
Archiving the Future0
Title Page0
Only Eye Candy? Original Plumbing Magazine’s Remodeling of the (Trans) Male Pin-Up0
Funding Infomration0
Empathy, Mutuality, and the Potentialities of the Visual0
Place, Space and Who0
Title Page0
Art as Communication: Small Diplomacy and The Formation of The Grey Collection0
Spatial Orders for the Masses0
In Conversation with Cildo Meireles0
The Challenge of the Peer Review0
Touchstones: Lucy Lippard’s Overlay and the Politics of Prehistory0
Table of Contents0
Table of Contents0
Modes of Dissent0
The Color of Joy: Reconsidering Critical Race Visual Culture0
Editorial Board and Information for Authors0
An Art History to Emerge0
Table of Contents0
Editorial Board and Information for Authors0
Funding Information0
Sensing, Sensitizing, and Speculating: The Work of Artworks in the Climate Crisis Era0
Destigmatizing Art History0
The Technicity of Blackness: On Failures and Fissures in the Art of Sondra Perry0
Roots and webs and nets and branches and bulletin boards and banners and newsletters and mutual-aid text threads0
Affirm Your Students and Call Out Your Institutions0
Joan Jonas’s Imagist Poetics0
Rotimi Fani-Kayode and Eikoh Hosoe: Surrealism and the Specter of Death in the 1980s0
Race, Whiteness, and Absence in Studio Practice0
Portraits (and) Matter0
When Is Japanese Cinema?0
Funding Information0
Environment at War: Capturing Global Conflict in Arab Geographies0
“Who can do something, do what they can”0
Table of Contents0
Pictures for Charis0
Advice for the Young Artist0
Table of Contents0
Creeping Tender0
Casta State of Mind: Michael Menchaca and the Graphic Revolution of Caste0
With Each Other0
SCAB: Honoring the Memory of Mr. Fred Rouse0
Funding Information0
Another Way to Decolonize the Curriculum0
Paperwork: Conceptual Art and the Pink-Collar Worker0
The Torture of Mothers: Elizabeth Catlett’s Prints as a Call for Reproductive Justice0
Title Page0
Beyond a Politics of Location: On Asian/American Art Workers and Art0
Thinking How Art Can Be Thought0
Table of Contents0
Avant-Garde Redux: McLuhan and the Art of Media0
Architecture and Bureaucracy, a Chronicle0
Our Restless Hearts0
Histories “Made out of Pictures and Words Just Kept”0
Director's Letter0
The Disposables : Critical Plastic for Art Reform0
The Construction Mystique: The Revolution as Building Site in Contemporary Art from Cuba0
Director’s Letter0
Models of Resistance0
Director’s Letter0
Droids, Dreams, and Desires: Decoding Rajni Perera’s The Vessel with Two Mouths0
Bronze Head of a Black Woman: Renaming and Reframing a Brâncuși Series0
Editorial Board and Information for Authors0
Ruptured Envelopes, Double Shells: Skins in Art in the Age of Global Mobility0
Black Op Art0
Title Page0
Resonant Presence: Materiality and Memory in the Work of Suchitra Mattai0
A Small Matter of Agency0
Editorial Board and Information for Authors0
The Politics of Taking No Position: Jay Chung and Q Takeki Maeda0
Funding Information0
Listening to Echoes: Racial Violence in Contemporary Art History0
A Clamoring Revolt: Restaging, Reseeing, and Reteaching the Womb Chair0
Editing the Archive: Alexandra Bell’s Annotation, Redaction, and Epistemic Resistance in Counternarratives0
Title Page0
Title Page0
Table of Contents0
Director's Letter0
Director's Letter0
The Beauty of an Empty Plinth0
Editorial Board and Information for Authors0
Title Page0
Director's Letter0
Family Tensions0
Foundation of Kindness, Shared Experiences, Shared Burden0
Petrit Halilaj’s Memory Objects0
Art-Org-Ask0
Taking, Breaking, and Re-Making0
In Improvisation0
Jannis Kounellis: An Epic Journey With No Return0
Editorial Board and Information for Authors0
Director’s Letter0
Altar, Tender: Sitting with devynn emory’s can anybody help me hold this body0
Plundered Loot0
Director's Letter0
Advice to a Young Black Artist0
Editorial Board and Information for Authors0
Funding Information0
The Many Lives of Gandhi's Hut0
Modern Turkish Art: Domestic Networks, Foreign Funds0
NEW FINANCIAL ARCHITECTURES FOR CREATIVE COMMUNITIES (NFACC) aka STRUCTURES TO MAINTAIN YOUR JOY!0
Reading and Witnessing Cage by Jade Montserrat and Webb-Ellis0
Breaking Out of the Known0
Infrastructure/Aesthetics0
The Baton Passed0
The Network and the Collective0
Funding Information0
Unwatchable: Alfredo Jaar, Lament of the Images (2002), and the Ends of Representation0
Negotiating Art and Space in Midtown Manhattan0
Cashing in the Intangible Assets of Whiteness0
Activist Wallpaper Series 70
Marbles0
An Acknowledgment Is Not Enough0
Lynda Benglis’s Materials0
Red Windows on the World0
Alternative Spaces in Chicago, Alternative Histories of Chicago0
Collective Consciousness in the Age of Crisis0
The Art of Law and Its Discontents0
Jan Sawka’s Screen Play0
Tools for Decolonizing Photography0
One Hundred Years of Revolutionary Experiments in Art Education0
Editorial Board and Information for Authors0
Director's Letter0
Funding Information0
Quarantine Devotion, A Series of Notes or Love at World’s End0
The Uncertain Body: Lin Tianmiao’s Mother Machine and Postsocialist Biopolitics0
Devil’s Promenade0
Pantéon: When the Saints Go Marching! Envisioning an Afro-diasporic Cosmology0
Pangs of Intimate Recognition0
Expand | Contract: Fugitive Visualities0
Two Tales of Two Cities: Contemporary Art, Southeast Asia, Divergent Approaches0
When the Dust Has Settled: What Was the Archival Turn, and Is It Still Turning? 10
An/Aesthetics of Infrastructural Ruination: On Jumana Manna’s Thirty Plumbers in the Belly0
Artist Statement0
Cover Guys: Trans Male Portraits from Original Plumbing Magazine10
Writing Time: The Shufa of Fung Ming Chip0
Visualizing Animal Trauma and Empty Forest Syndrome in the Moving Imagery of Tuấn Andrew Nguyễn0
Director's Letter0
Director's Letter0
Sitting with the Matter of Black Life0
Editorial Board and Information for Authors0
Funding Information0
An Inventory of Shimmers0
Song Dong’s Performative Futility: Action, Impact, and Efficacy in Contemporary Chinese Performance Art0
“Social Fabric”: Photography, Solar Atmospheres, and a Process Ontology in Sonne München, 19940
Beyond Binaries: Trans Studies and the Global Contemporary0
Visionary or Voyeur: Lionel Wendt and the Contradictions of Late Colonial Modernity in Ceylon0
Table of Contents0
Two Art Hubs: Berlin and Istanbul0
Unearthing Mexico City0
Feeling into Paula Dawson’s Holograms0
Title Page0
A Suitable Distance? Revisiting a Millennial Approach to Curating Art in the Caribbean0
The Curatorial Art of Karin Higa0
Table of Contents0
When Seeing Expires: Art History and the Work of Alison Rossiter0
Editorial Board and Information for Authors0
Funding Information0
Philosophy’s Illustrious Companions0
Editorial Board and Information for Authors0
How Internalized White Supremacy Manifests for My BIPOC Students in Art School0
Archives in Endemic Time0
Institutional Antics0
Title Page0
Container of Memory: Ideas, Methods, Images0
A Tale of Two Exhibitions0
Living Color: Henryk Stażewski’s Interior Models0
Editorial Board and Information for Authors0
Parochial Modernism0
Funding Information0
Director's Letter0
Dreaming of Childhood0
Ambient Think Tanks0
Swimming against the Tide: Thoughts on Managing an Art Profession0
Joan Logue’s Newly Rediscovered and Digitized Words, 1–50
Abstracted Resistance: Third-Worldism in Rubem Valentim’s Afro-Brazilian Symbolism, 1963–660
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