Art Journal

Papers
(The median citation count of Art Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
Polvo de Gallina Negra and the Visual Politics of Pregnant Performance in Mexico10
Horizons from Asian American Negation10
Title Page2
Title Page2
Turning Toward Exhibition Environments in 1990s Installation Art: The Installation Spaces of Janet Cardiff and George Bures Miller2
Reveal, Revise, Recover1
Archiving the Future1
Finding Mutuality1
Director's Letter1
Fugitive Utterances in Modernity’s Song1
Nalini1
The Politics of Taking No Position: Jay Chung and Q Takeki Maeda1
Title Page1
Jannis Kounellis: An Epic Journey With No Return1
Director's Letter0
Sonic Bodies and Specific Machines: Henri Chopin’s Experimental Sound/Cinema0
Director's Letter0
Editorial Board and Information for Authors0
Reappropriating Gauguin in Contemporary Polynesian Photography0
War, Capitalism, and Remaindered Life0
The Construction Mystique: The Revolution as Building Site in Contemporary Art from Cuba0
Title Page0
Zoomorphic Feminism: The Gender Politics of Turning into Nonhuman Animals in Contemporary Art0
Director's Letter0
Listening to Echoes: Racial Violence in Contemporary Art History0
Collective Consciousness in the Age of Crisis0
Balancing Perfectly: Binh Danh in Conversation with Shana Lopes0
Sensing, Sensitizing, and Speculating: The Work of Artworks in the Climate Crisis Era0
Racial Fictions, Visual Culture, and White Nationalism0
Director's Letter0
Protest City0
Writing Time: The Shufa of Fung Ming Chip0
Unearthing Mexico City0
Title Page0
Art, Feminism, and Religious Rituals: Ecofeminism and Helène Aylon’s Court Trial0
Funding Infomration0
Petrit Halilaj’s Memory Objects0
Funding Information0
In Conversation with Cildo Meireles0
Editorial Board and Information for Authors0
Productive Confrontations0
Returning to The Scene of the Crime: Gendered and Racialized Violence in Ana Mendieta’s Rape Scene0
Environment at War: Capturing Global Conflict in Arab Geographies0
Title Page0
Pennington County, SD, May 1936: Arthur Rothstein’s Steer Skull and Badlands National Monument0
“El cuerpo de verdad”: The Potency of Magali Lara’s Unpictured Bodies0
Table of Contents0
One Hundred Years of Revolutionary Experiments in Art Education0
Looking Beyond European Publics0
Facing Photographic Acts (After Allan Sekula)0
No Man Can Serve Two Masters: A Critique of Mastery in Charles White’s Sound of Silence0
Vistas0
Art as Surgery: Hygiene Politics in Zhang Peili’s Glove Art, 1985–910
Table of Contents0
Editorial Board and Information for Authors0
Title Page0
The Challenge of the Peer Review0
Director’s Letter0
Visionary or Voyeur: Lionel Wendt and the Contradictions of Late Colonial Modernity in Ceylon0
Funding Information0
Title Page0
Transatlantic Correspondence: The Calligraphic Traces of Emilia Beatriz and Sofía Gallisá Muriente0
Through the Guillotine Mirror: Claude Cahun’s Theory of Trans against the Void0
Director's Letter0
Critique and Engagement in America’s National Parks0
Table of Contents0
Cashing in the Intangible Assets of Whiteness0
Witnessing Histories0
Reflections on Black0
Title Page0
Funding Information0
Editorial Board and Information for Authors0
Race, Whiteness, and Absence in Studio Practice0
Caring to Notice: Sera Waters’ Disentangled Pasts, Attentive Reparation and Truth-Telling Toward Survivable Futures0
When Images in Haiti Fail: The Photograph of Charlemagne Péralte0
Sitting with the Matter of Black Life0
Submerged Narratives: Memorializing Enslavement in Eve Sandler’s Mami Wata Crossing0
Body Configurations (Venice Portfolio)0
Table of Contents0
Silent Voices and Absent Referents0
Marbles0
Modern Turkish Art: Domestic Networks, Foreign Funds0
Beyond a Politics of Location: On Asian/American Art Workers and Art0
Container of Memory: Ideas, Methods, Images0
Reframing Archives from the Venezuelan Diaspora: Ángela Bonadies’s Photographs0
Editorial Board and Information for Authors0
Title Page0
Repose: Black Nightmares, Black Dreams0
“Politics in Matter”: Concrete Expressions in Contemporary Palestinian Art of Resistance0
“The Senses Pointing towards a New Transformation”: On Touch, Collectivity, and Lygia Clark’s The I and the You at the First International Tactile Sculpture Symposium, 19690
Dysphoric Aesthetics: Toward Trans Ethics of Spectatorial Sensitivity0
Queer World Making: Contemporary Middle Eastern Diasporic Art0
Title Page0
Bronze Head of a Black Woman: Renaming and Reframing a Brâncuși Series0
National Identity, Ideology, and the American Landscape0
Table of Contents0
Funding Information0
Witness Trees: Ken Gonzales-Day Re-surveys the US West0
Director's Letter0
Is the Global (Still) Art History’s Future?0
The Land of Promise: Migrant Workers in Contemporary Korea0
Chicago’s Sapphire & Crystals: Protest, Community, and Care during COVID0
Upending Fixities: Reassessing the Historical as a Site of Rupture and Transformation0
“Meet the Ranger Naturalist”: New Deal–Era Interpretation and National Park Service Posters0
Title Page0
Funding Information0
Breaking Out of the Known0
Funding Information0
Understanding the World through Our Windows: How Transparency Shapes Our Worldview0
When the Dust Has Settled: What Was the Archival Turn, and Is It Still Turning? 10
Destigmatizing Art History0
Family Tensions0
Dreaming of Childhood0
Title Page0
WHATWETHINKASINSIGNIFICANTPROVIDESTHEPURESTAIRWEBREATHE0
Pictures for Charis0
Elusive Operations: Goldin + Senneby’s Headless and the Aesthetic Techniques of Offshore Finance0
Sikh Art Today0
Taking, Breaking, and Re-Making0
An Oral History Interview with Carnival Knowledge0
Table of Contents0
Archival Resistance: Bani Abidi and the Politics of Memory0
Editorial Board and Information for Authors0
Table of Contents0
Table of Contents0
Empathy, Mutuality, and the Potentialities of the Visual0
DRC No. 12: A “Migratory” Site of Glocal Specificity0
Funding Information0
Engaging Audiences through Artistic Collaborations in National Parks0
Title Page0
Dear Colleagues0
Other Than Art’s Sake0
Editorial Board and Information for Authors0
The Camera vs. the Brush: Photography, Art, and the Contested Representation of the American West0
Robert Blanchon: AIDS and the Question of Conceptualism0
Reading for Pleasure0
Joan Logue’s Newly Rediscovered and Digitized Words, 1–50
Constellatory Blackness0
Director's Letter0
Editorial Board and Information for Authors0
Black Op Art0
Hitler Asleep in the Mercedes0
Touchstones: Lucy Lippard’s Overlay and the Politics of Prehistory0
Histories “Made out of Pictures and Words Just Kept”0
Philosophy’s Illustrious Companions0
Art and Feminism Unifying Yugoslavia0
Archives in Endemic Time0
Blackness, Death, and Visuality0
Table of Contents0
Visualizing Animal Trauma and Empty Forest Syndrome in the Moving Imagery of Tuấn Andrew Nguyễn0
Expand | Contract: Fugitive Visualities0
Ruptured Envelopes, Double Shells: Skins in Art in the Age of Global Mobility0
Editorial Board and Information for Authors0
Director's Letter0
Table of Contents0
Table of Contents0
Between Land and a Raised Foot : Thania Petersen Stands Her Ground0
A Beyond-Human Biennale0
Patterns of Possession: H. R. Mallinson & Co.’s “American National Park” Silks0
National Parks in Prospect0
Editorial Board and Information for Authors0
The Color of Joy: Reconsidering Critical Race Visual Culture0
Table of Contents0
Funding Information0
Editorial Board and Information for Authors0
Pangs of Intimate Recognition0
Funding Information0
Director's Letter0
The Built and the Grown: Charles Simonds’s Memorial to Stanley Tankel at Gateway0
Plundered Loot0
Funding Information0
Song Dong’s Performative Futility: Action, Impact, and Efficacy in Contemporary Chinese Performance Art0
Spatial Orders for the Masses0
A Tale of Two Exhibitions0
The Curatorial Art of Karin Higa0
Visualizing Surveillance: Between Transparency and Opacity0
The Earth is Uneven: Art Histories of the Terracene0
It’s the Pleasure Principle0
Director's Letter0
Avant-Garde Redux: McLuhan and the Art of Media0
A Roundtable on Greer Lankton Convened by Francesca Granata, with Elspeth Brown, Freyja Hartzell, and Cyle Metzger0
Table of Contents0
Institutional Antics0
To an Always Knowing0
Another Way to Decolonize the Curriculum0
Negotiating Art and Space in Midtown Manhattan0
Pantéon: When the Saints Go Marching! Envisioning an Afro-diasporic Cosmology0
Experience as Art History0
Funding Information0
Effigy Tumuli: Michael Heizer Playing Indian0
Funding Information0
The Many Lives of Gandhi's Hut0
A Suitable Distance? Revisiting a Millennial Approach to Curating Art in the Caribbean0
Plural Imagination: Diversity in Mind and Making0
Resonant Presence: Materiality and Memory in the Work of Suchitra Mattai0
Two Tales of Two Cities: Contemporary Art, Southeast Asia, Divergent Approaches0
Foundation of Kindness, Shared Experiences, Shared Burden0
Droids, Dreams, and Desires: Decoding Rajni Perera’s The Vessel with Two Mouths0
Director’s Letter0
Our Restless Hearts0
Passing Through: Plains Indigenous Art and Hospitality in Glacier National Park0
Title Page0
Editorial Board and Information for Authors0
Editorial Board and Information for Authors0
Gender, Lineage, and Racism: Rachelle Mozman Solano’s Casa de mujeres Series0
Director's Letter0
The Ties That Bind0
Ovoidism in Lenape Land0
Landscapes of Despair: Book Covers and the Visual Culture of the Opioid Crisis0
Director’s Letter0
Funding Information0
An/Aesthetics of Infrastructural Ruination: On Jumana Manna’s Thirty Plumbers in the Belly0
Devil’s Promenade0
Editorial Board and Information for Authors0
Altar, Tender: Sitting with devynn emory’s can anybody help me hold this body0
Table of Contents0
Table of Contents0
Body Count: The Critical Matrices of James Rosenquist’s Growth Plan0
The Disposables : Critical Plastic for Art Reform0
All the Orchids are Fine0
Against Repair0
Editorial Board and Information for Authors0
Funding Information0
Formalist Solidarity: Nikki Luna and Resquicio Colectivo against Gendered Violence0
“Who can do something, do what they can”0
Bridging the Cultures or Gazing from Outside: The Need to Revisit Eurasia in Art0
The Black Joy Archive0
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