Art Bulletin

Article	Citations
Miscegenation in Marble: John Bell’s Octoroon	10
Mapping Art History in the Digital Era	5
Contingent Images: Looking Obliquely at Colonial Mexican Featherwork in Early Modern Europe	2
Mutable, Flexible, Fluid: Papyrus Drawings for Textiles and Replication in Roman Art	2
Odilon Redon, Paul Gauguin, and Primitivist Color	2
Marisol’s Antimonument: Masculinity, Pan-Americanism, and Other Imaginaries	1
John Constable, Luke Howard, and the Aesthetics of Climate	1
Between the Embodied Eye and Living World: Clonmacnoise’s Cross of the Scriptures	1
What Is Futurism? Russia and Japan Exchange Answers	1
Aesthetics of Conflict: Perspective and Anamorphosis in Siqueiros’s Art of the 1930s	1
Beyond the Perspectival Paradigm: Early Modern Pictorial Space and Digital Challenges to the Field	1
José Clemente Orozco’s Dancing Indians: Performing Mexicanness for the Trans-American Market	1
Lights on the Antipodes: Francisco de Holanda and an Art History of the Universal	1
The Importance of Being Oroonoko: An Art Historical Morality Play	1
Painting in Stone: Architecture and the Poetics of Marble from Antiquity to the Enlightenment, by Fabio Barry	1
In Transit: Edgar Degas and the Matter of Cotton, between New World and Old	1
Exhibition as Art Historical Space: The 1933 Chinese Art Exhibition in Paris	1
Constructing Kingship in Early Solomonic Ethiopia: The David and Solomon Portraits in the Juel-Jensen Psalter	1
Why Do We Think There Have Been No Great Women Artists? Revisiting Linda Nochlin and the Archive	1
The King’s Horseman: Portraits of Authority in Southwestern Nigeria	1
The Mexican Picturesque and the Sentimental Nation: A Study in Nineteenth-Century Landscape	1
And the Mural Came Down: Race, Removal, and Reckoning in the Sunshine City	1
Made by Migrants: Southeast Asian Ivories for Local and Global Markets, ca. 1590–1640	1
Decolonizing Art and Empire	0
A Black Gaze: Artists Changing How We See , by Tina Campt; and White Sight: Visual Politics and Practices of Whiteness , by Nicholas MirzoeffTina M.Ca	0

Title Page	0
The Spectacle of Privacy: Geoffrey Hendricks’s Ring Piece and the Ambivalence of Queer Visibility	0
Message from CAA Executive Director	0
Art and Time	0
Study in Black and White: Photography, Race, Humor, by Tanya Sheehan	0
Blanks in the Figure: A Fin-de-Siècle Enthusiasm in France	0
Message from CAA Executive Director	0
Message from CAA Executive Director	0
A Ming Chinese and Spanish Imperial Collaboration in Southeast Asia: The Boxer Codex	0
Pier Groups: Art and Sex Along the New York Waterfront, by Jonathan Weinberg	0
Title Page	0
Mechanical Technologies and Ancient Sculpture	0
Engraving’s “Immoveable Veil”: Phillis Wheatley’s Portrait and the Politics of Technique	0
Peirce, Bierstadt, and the Topographic Imagination in Nineteenth-Century North America	0
Becoming Mary Sully: Toward an American Indian Abstract, by Philip Joseph Deloria; and Knowing Native Arts, by Nancy Marie Mithlo	0
Title Page	0
The Fabrication of Leonardo da Vinci's “Trattato della pittura”: With a Scholarly Edition of the Italian Editio Princeps (1651) and an Annotated English Translation, by Claire Farago, Janis Bel	0
Playing Parrot: American Trompe L’oeil and Empire	0
Architectural Guide to Sub-Saharan Africa, by Philipp Meuser and Adil Dalbai (eds.)	0
Table of Contents	0
“Life” Magazine and the Power of Photography, edited by Katherine A. Bussard and Kristen Gresh	0
Allegories of the Anthropocene, by Elizabeth M. DeLoughrey	0
The Cross, the Gospels, and the Work of Art in the Carolingian Age, by Beatrice E. Kitzinger	0
Message from CAA Executive Director	0
Editorial Board and Information for Authors	0
Title Page	0
Flowering Plums and Curio Cabinets: The Culture of Objects in Late Chosŏn Korean Art by Sunglim Kim Seattle: University of Washington Press, 2018. 304 pp.; 80 color ills., 18 b/w. $65 and A	0
The Fragility of Solace: Pothos and Memory in Late Roman Gold-Glass Portraiture	0
Painting, Poetry, and the Invention of Tenderness in the Early Roman Empire, by Hérica Valladares; and Destinations in Mind: Portraying Places on the Roman Empire’s Souvenirs, by Kimberl	0
Message from CAA Executive Director	0
Forward-Looking Art History	0
Roman Gladiator Knives: Objectification, Mascotting, and the Material Culture of Sport in Ancient Rome	0
Global Objects: Toward a Connected Art History by Edward S. Cooke, Jr.EDWARD S.COOKE, JR. Global Objects: Toward a Connected Art History Princeton, NJ	0
Editorial Board and Information for Authors	0
New Histories of the Papunya Boards, New Beginnings for the Western Desert Painting Movement	0
Title Page	0
Material Ciphers: Ruth Wolf-Rehfeldt’s Concrete Conceptualism and the Informational Imaginaries of the Cold War	0
Authentic Replicas: Buddhist Art in Medieval China, by Hsueh-man Shen	0
Title Page	0
Boucher’s Spirit: Authorship, Invention, and the Force of Porcelain	0
Images on a Mission in Early Modern Kongo and Angola , by Cécile FromontCécile FromontImages on a Mission in Early Modern Kongo and AngolaUniversity Park: Penn State University Pres	0
Rebus and Realism: A Prolegomenon to the “Work” of Adolph Menzel	0
Queering the Minimalist Interior	0
Archaic Sculpture and Archaisms of Gender: Rethinking the “Brother and Sister Stele”	0
Christ’s Racial Origins: Finding the Jewish Race in Victorian History Painting	0
Editorial Board and Information for Authors	0
Turned Earth: The Chinese Plowing Ritual in the Age of Enlightenment	0
Table of Contents	0
Cold War Camera , by Thy Phu, Erina Duganne, and Andrea Noble (eds.)thy phu, erina duganne, and andrea noble, eds. Cold War Camera Durham, NC: Duke Un	0
A History of Art History, by Christopher S. Wood	0

Maintenance Work and the Long Life of Materials in Medieval Art	0
The Ka‘ba Orientations: Readings in Islam’s Ancient House, by Simon O’Meara; Islam and the Devotional Object: Seeing Religion in Egypt and Syria, by Richard J. A. McGregor; and Hajj a	0
Sculpture, Donatello, and the Goldsmith’s Art in Fifteenth-Century Florence	0
Addendum	0
Title Page	0
Fragmentation and Reassembly: Decoration, Technique, and Meaning at an Early Islamic Platform	0
The Iranian Expanse: Transforming Royal Identity through Architecture, Landscape, and the Built Environment, 550 BCE–642 CE, by Matthew P. Canepa	0
Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World, by Anna Arabindan-Kesson	0
Title Page	0
Editorial Board and Information for Authors	0
Luxury After the Terror , by Iris MoonIrisMoon Luxury After the Terror University Park: Penn State University Press, 2022. 272 pp.; 30 color ills., 65	0
Visualizing Peasant and Bovine Self-Sustenance in the Famine Tracts of Colonial India	0
Bloodflowers: Rotimi Fani-Kayode, Photography, and the 1980s, by W. Ian Bourland	0
Message from CAA Executive Director	0
Rebalancing the Cold War: Diné Sandpainting and Earth Diplomacy	0
The Prince’s Prosthetic Body: Orthopedic Armor and Material Self-Fashioning in Sixteenth-Century Europe	0
Strange Things for Strangers: Transcultural Automata in Early Modern Amsterdam	0
Editorial Board and Information for Authors	0
Bayard’s Boutique	0
Letter to the Editors	0
The Subiconographic Surface: Two Temptations of Saint Anthony Painted on Stone	0
Conquest, Reason, and Cannibalism in a Sixteenth-Century Mexican Manuscript	0
Portraits and Identity: “Roman” and “Elite” in the Late Antique Villas of Aquitania	0
Beauty, Gods, and Early Greek Art: The Dedications of Mantiklos and Nikandre Revisited	0
Visualizing the Unknown in the Digital Era of Art History	0
Decolonizing Nature: Contemporary Art and the Politics of Ecology and Beyond the World’s End: Arts of Living at the Crossing, by T. J. Demos; and The Ecological Eye: Assembling an Eco	0
Media Critique in the Age of Gillray: Scratches, Scraps, and Spectres, by Joseph Monteyne	0
Visualizing “National Art”: O Sech’ang’s Art Collection and Connoisseurship against Japanese Colonialism	0
Title Page	0
Title Page	0
Empires of Light: Vision, Visibility and Power in Colonial India, by Niharika Dinkar	0
Premodern Globalism in Art History: A Conversation	0
Descendants of Aztec Pictography: The Cultural Encyclopedias of Sixteenth-Century Mexico, by Elizabeth Hill Boone	0
Art History In and Outside of the Academy	0
Title Page	0
Editorial Board and Information for Authors	0
“At the Threshold of Silence”: Le Corbusier, “Le Parthénon,” and the Vision of Antiquity	0
Table of Contents	0
Unfixed: Photography and Decolonial Imagination in West Africa, by Jennifer Bajorek	0
Table of Contents	0
Editorial Board and Information for Authors	0
The Endless Periphery: Toward a Geopolitics of Art in Lorenzo Lotto’s Italy, by Stephen J. Campbell	0
Art and Situated Knowledge	0
Table of Contents	0
The Album of the World Emperor: Cross-Cultural Collecting and Album Making in Seventeenth-Century Istanbul, by Emine Fetvaci	0
Message from CAA Executive Director	0
Diagramming Devotion: Berthold of Nuremberg's Transformation of Hrabanus Maurus's Poems in Praise of the Cross, by Jeffrey F. Hamburger	0
Empire of Style: Silk and Fashion in Tang China, by BuYun Chen	0
Botanical Illustration and Byzantine Visual Inquiry in the Morgan Dioscorides	0
Drawing Limits: Michelangelo Grows Old	0
Contents	0
Art on the Edge: The Church of the Holy Cross, Jvari, Georgia	0
Table of Contents	0
The Reception of Karl Briullov’s Last Day of Pompeii at the Salon of 1834	0
The Road to Buenos Aires Is Paved with Good Design: Worldmaking Fantasies and the Latin American Industrial Design Exhibition	0
Containing the Uncontainable: Kinaesthetic Analogies and an Early Christian Box	0
“What Means This Carnage?”: Civil War Soldiers’ Bodies, Recuperative Projects, and the Army Medical Museum	0
The Big Picture	0
Climate Change and the Art of Devotion: Geoaesthetics in the Land of Krishna, 1550–1850, by Sugata Ray	0
Making Up Materials: Donatello and the Cosmetic Act	0
Editorial Board and Information for Authors	0
The Moon Jar: The Making of a Korean Icon	0
Where Dragon Veins Meet: The Kangxi Emperor and His Estate at Rehe, by Stephen H. Whiteman	0
Title Page	0
Table of Contents	0
Sewn in Place: Gender, Materiality, and Mapmaking in the Early United States	0
The Collaborative Essay	0
Art on the Move	0
Correction	0
Untimely Images, Fallen Figures: Sarah Charlesworth at the End of Modern History	0
Experimental Beijing: Gender and Globalization in Chinese Contemporary Art, by Sasha Su-Ling Welland	0
Editor’s Note	0
The Praiseworthy One: The Prophet Muhammad in Islamic Texts and Images, by Christiane Gruber	0
Is it Ours? Art, Copyright, and Public Interest , by Martha BuskirkMartha Buskirk Is It Ours? Art, Copyright, and Public Interest Berkeley: University	0
Message from CAA Executive Director	0
Byzantine Intersectionality: Sexuality, Gender and Race in the Middle Ages, by Roland Betancourt	0
Rubens in Repeat: The Logic of the Copy in Colonial Latin America, by Aaron M. Hyman	0
Editorial Board and Information for Authors	0
“Interior Decorator is Dead”	0
Toward Fewer Images: The Work of Alexander Kluge, by Philipp Ekardt	0

The Cradle : Berthe Morisot and the Medicalization of Babies’ Sleep	0
Message from CAA Executive Director	0
Landscape into Eco Art: Articulations of Nature since the ʼ60s, by Mark A. Cheetham	0
Reviewing Reviews in The Art Bulletin	0
Table of Contents	0
Title Page	0
Chinese Ways of Seeing and Open-Air Painting, by Yi Gu	0
Title Page	0
Contents	0
Visualizing Equality: African American Rights and Visual Culture in the Nineteenth Century, by Aston Gonzalez; Contraband Guides: Race, Transatlantic Culture, and the Arts in the Civil War E	0
Uneasy Articulations: Magnus Hirschfeld, Art, and Sexual Science in Early Twentieth-Century Germany	0
Message from CAA Executive Director	0
Editorial Board and Information for Authors	0
The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution, by Dan Hicks	0
Hearts of Our People: Native Women Artists, by Jill Ahlberg Yohe and Teri Greeves, eds.	0
Editorial Board and Information for Authors	0
Title Page	0
Francis Newton Souza’s Black Paintings: Postwar Transactions in Color	0
Savage Mind to Savage Machine: Racial Science and Twentieth-Century Design, by Ginger Nolan	0
Image Encounters: Moche Murals and Archaeo Art History, by Lisa Trever	0
Doublethink: Polish Carpets in Transcultural Contexts	0
Coeditors’ Response	0
Editorial Board and Information for Authors	0
Modern Kyoto: Building for Ceremony and Commemoration, 1868–1940, by Alice Tseng	0
Art History with or without Borders	0
The Pocket: A Hidden History of Women’s Lives, 1660–1900, by Barbara Burman and Ariane Fennetaux	0
Editorial Board and Information for Authors	0
Crafting America: Artists and Objects, 1940 to Today, by Glenn Adamson and Jen Padgett; and Greater American Camera: Making Modernism in Mexico, by Monica Bravo	0
Impressionism and the Standardization of Time: Claude Monet at Gare Saint-Lazare	0
A New Look for the Jewish Past: Historicism, Authenticity, and Fantasy in E. M. Lilien’s Bible Art	0
Message from CAA Executive Director	0
“And the Jet Would Be Invaluable”: Blackness, Bondage, and The Beloved	0
Painting against Time: Spectatorship and Visual Entanglement in the Anagni Crypt	0
Architecture in Global Socialism: Eastern Europe, West Africa, and the Middle East in the Cold War, by Łukasz Stanek	0
Reply	0
The Art of Cloth in Mughal India , by Sylvia Houghteling; and Sea Change: Ottoman Textiles between the Mediterranean and the Indian Ocean , by Amanda	0
Pindar, Song, and Space: Towards a Lyric Archaeology, by Richard Neer and Leslie Kurke	0
Becoming Property: Art, Theory, and Law in Early Modern France, by Katie Scott	0
Simulated Landscape Paintings: Newly Unearthed Tomb Murals in Tang China	0
Crafting Enlightenment: Artisanal Histories and Transnational Networks, edited by Lauren R. Cannady and Jennifer Ferng; and The Sun King at Sea: Maritime Art and Galley Slavery in Louis XIV'	0
The Colossus and the Sphinx: Two Cartographies of Africa in Nineteenth-Century Britain	0
Forming Abstraction: Art and Institutions in Postwar Brazil , by Adele Nelson; Constructing Latin America: Architecture, Politics, and Race at the Museum of Modern Ar	0
“Vibrant Matter”: The Countermodern World of Pavel Tchelitchew	0
Table of Contents	0
Welcome to the Gayborhood: Beacon Hill Between the Wars	0
Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa, edited by Kathleen Bickford Berzock Exh. cat. Princeton, NJ: Princeton University Press, 2019. 31	0
Table of Contents	0
Table of Contents	0
Editorial Board and Information for Authors	0
Message from CAA Executive Director	0
Projecting Citizenship: Photography and Belonging in the British Empire, by Gabrielle Moser	0
The Speculative City: Art, Real Estate, and the Making of Global Los Angeles , by Susanna Phillips Newburysusanna phillipsnewbury The Speculative City: Art, Real Esta	0
Table of Contents	0
Vital Voids: Cavities and Holes in Mesoamerican Material Culture, by Andrew Finegold; and Playing with Things: Engaging the Moche Sex Pots, by Mary Weismantel	0
Figurines in Hellenistic Babylonia: Miniaturization and Cultural Hybridity, by Stephanie M. Langin-Hooper	0
The Materials of Shame: Decoration, Masculinity, and the Birth of Modern Interior Design	0
Grafted Arts: Art Making and Taking in the Struggle for Western India, 1760–1910 , by Holly Shaffer; and The Place of Many Moods: Udaipur’s Painted Lands and India’s	0
“Amorosa Contemplatione”: Bernini, Bruni, and the Poetic Vision of Saint Teresa	0
Ruling Culture: Art Police, Tomb Robbers, and the Rise of Cultural Power in Italy, by Fiona Greenland; Why Those Who Shovel Are Silent: A History of Local Archaeological Knowledge and Labor<	0
Jacopo Bassano and the Flood of Feltre	0
Editorial Board and Information for Authors	0
Table of Contents	0
The Afterlife of the Western Canon: Archive and Eschatology in Contemporary Japan	0
Message from CAA Executive Director	0
Walker Evans: Starting from Scratch, by Svetlana Alpers	0
Message from CAA Executive Director	0
Marking Time: Art in the Age of Mass Incarceration, by Nicole R. Fleetwood	0
Letter to the Editors	0
Constable as a Voyage of Discovery	0
Splendeurs des oasis d’Ouzbékistan/The Splendours of Uzbekistan’s Oases , and Sur les routes de Samarcande. Merveilles de soie et d’or/On the Roads to Samarkand: Wond	0
Sculptural Seeing: Relief, Optics, and the Rise of Perspective in Medieval Italy, by Christopher R. Lakey	0
Table of Contents	0
Message from CAA Executive Director	0
African Ecomedia: Network Forms, Planetary Politics , by Cajetan IhekaCajetan Iheka African Ecomedia: Network Forms, Planetary Politics Durham, NC: Du	0
Title Page	0
“Arabesques”: The Making and Breaking of a Concept in Renaissance Italy	0
Message from CAA Executive Director	0
Contents	0
Spiritual Mining: Augustinian Images of Extraction in Colonial Peru	0