Art Bulletin

Papers
(The TQCC of Art Bulletin is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
The Identikit Problem12
Visualizing Equality: African American Rights and Visual Culture in the Nineteenth Century, by Aston Gonzalez; Contraband Guides: Race, Transatlantic Culture, and the Arts in the Civil War E5
People of the Image: Jews & Art , by Marc Michael Epstein2
Digital Art History as Critical AI2
Editorial Board and Information for Authors2
Is it Ours? Art, Copyright, and Public Interest , by Martha BuskirkMartha Buskirk Is It Ours? Art, Copyright, and Public Interest Berkeley: University2
Message from CAA Executive Director2
Message from CAA Executive Director2
Message from CAA Executive Director1
The Speculative City: Art, Real Estate, and the Making of Global Los Angeles , by Susanna Phillips Newburysusanna phillipsnewbury The Speculative City: Art, Real Esta1
Media Critique in the Age of Gillray: Scratches, Scraps, and Spectres, by Joseph Monteyne1
Introduction: Art History after Computer Vision1
Anni Albers, Textiles : Defining Industrial Design at the Museum of Modern Art1
Nominal Things: Bronzes in the Making of Medieval China , by Jeffrey Moser1
Gas Mask Nation: Visualizing Civil Air Defense in Wartime Japan , by Gennifer Weisenfeld1
Posters, Politics, and Pioneers of the Early Soviet East (1917-1930): Visualizing the New Muslim Woman1
Doublethink: Polish Carpets in Transcultural Contexts1
Editorial Board and Information for Authors1
Material Ciphers: Ruth Wolf-Rehfeldt’s Concrete Conceptualism and the Informational Imaginaries of the Cold War1
Bound and Boarded: Policing Native Motherhood in US Art and Culture1
Editorial Board and Information for Authors1
Ideas in the Air0
Decolonizing the Premodern South Caucasus: Historiography, Images, and Experiences0
Table of Contents0
Reviewing Reviews in The Art Bulletin0
Architecture Follows Fish: An Amphibious History of the North Atlantic , by André Tavares0
Title Page0
Milk-Carton Sculpture: Ruth Asawa, Geodesic Geometry, and the Maternal Counterculture of the Alvarado School Arts Workshop0
Uneasy Articulations: Magnus Hirschfeld, Art, and Sexual Science in Early Twentieth-Century Germany0
Maintenance Work and the Long Life of Materials in Medieval Art0
Mediterranean Convergence: Trade, Craft, and Notions of Influence in the Kutubiyya Minbar0
Containing the Uncontainable: Kinaesthetic Analogies and an Early Christian Box0
Title Page0
Message from CAA Executive Director0
Reclaiming the Americas: Latinx Art and the Politics of Territory , by Tatiana Reinoza0
The Predatory Core: Peter Paul Rubens and the Hunt0
What Is Queer About Contemporary US Art History? Queer Behavior: Scott Burton and Performance Art , by David J. Getsy; In Between Subjects: A Critical Gen0
The Art of Cloth in Mughal India , by Sylvia Houghteling; and Sea Change: Ottoman Textiles between the Mediterranean and the Indian Ocean , by Amanda 0
Rubens in Repeat: The Logic of the Copy in Colonial Latin America, by Aaron M. Hyman0
Dürer’s Victoria : Contending with the Uncertainty of Measurement0
Spiritual Mining: Augustinian Images of Extraction in Colonial Peru0
Message from CAA Executive Director0
Forming Abstraction: Art and Institutions in Postwar Brazil , by Adele Nelson; Constructing Latin America: Architecture, Politics, and Race at the Museum of Modern Ar0
The Ka‘ba Orientations: Readings in Islam’s Ancient House, by Simon O’Meara; Islam and the Devotional Object: Seeing Religion in Egypt and Syria, by Richard J. A. McGregor; and Hajj a0
Luxury After the Terror , by Iris MoonIrisMoon Luxury After the Terror University Park: Penn State University Press, 2022. 272 pp.; 30 color ills., 650
Cold War Camera , by Thy Phu, Erina Duganne, and Andrea Noble (eds.)thy phu, erina duganne, and andrea noble, eds. Cold War Camera Durham, NC: Duke Un0
The Big Picture0
Why Do We Think There Have Been No Great Women Artists? Revisiting Linda Nochlin and the Archive0
After Art History? Artworks as Data0
A Dwarf Maiden on the Athenian Acropolis: Disability and Dedication in the Archaic Polis0
Editorial Board and Information for Authors0
Message from CAA Executive Director0
Title Page0
Editorial Board and Information for Authors0
The First Viral Images: Maerten de Vos, Antwerp Print, and the Early Modern Globe , by Stephanie Porras; and A New Antiquity: Art and Humanity as Univ0
Gifts in the Age of Empire: Ottoman-Safavid Cultural Exchange, 1500–1639 , by Sinem Arcak Casale0
Painting, Poetry, and the Invention of Tenderness in the Early Roman Empire, by Hérica Valladares; and Destinations in Mind: Portraying Places on the Roman Empire’s Souvenirs, by Kimberl0
Message from CAA Executive Director0
Savage Mind to Savage Machine: Racial Science and Twentieth-Century Design, by Ginger Nolan0
Empires of Light: Vision, Visibility and Power in Colonial India, by Niharika Dinkar0
Portraits of Empires: Habsburg Albums from the German House in Ottoman Constantinople , by Robyn Dora Radway0
Cultural Evolutionary Modeling in the Data-Driven Humanities0
The Road to Buenos Aires Is Paved with Good Design: Worldmaking Fantasies and the Latin American Industrial Design Exhibition0
Title Page0
Table of Contents0
Bayard’s Boutique0
Temples in the Cliffside: Buddhist Art in Sichuan , by Sonya S. Lee; The Japanese Buddhist World Map: Religious Vision and the Cartographic Imagination 0
Message from CAA Executive Director0
Editorial Board and Information for Authors0
Mechanical Technologies and Ancient Sculpture0
Machine Modernism, Masculinity, and the Trauma of War: The Art of Fernand Léger , by Maureen G. Shanahan0
Table of Contents0
Title Page0
Computer Vision in the Archives0
“Interior Decorator is Dead”0
Visualizing “National Art”: O Sech’ang’s Art Collection and Connoisseurship against Japanese Colonialism0
Title Page0
Editorial Board and Information for Authors0
Table of Contents0
Roman Gladiator Knives: Objectification, Mascotting, and the Material Culture of Sport in Ancient Rome0
Becoming Mary Sully: Toward an American Indian Abstract, by Philip Joseph Deloria; and Knowing Native Arts, by Nancy Marie Mithlo0
Distant Viewing: Computational Exploration of Digital Images , by Taylor Arnold and Lauren Tilton; and Picture-Work: How Libraries, Museums, and Stock Agencies Launch0
The Prince’s Prosthetic Body: Orthopedic Armor and Material Self-Fashioning in Sixteenth-Century Europe0
Queering the Minimalist Interior0
The Materials of Shame: Decoration, Masculinity, and the Birth of Modern Interior Design0
Editorial Board and Information for Authors0
Emblēma : Stone Repair as Ornament in Greek Architecture0
Visualizing Peasant and Bovine Self-Sustenance in the Famine Tracts of Colonial India0
Title Page0
Table of Contents0
The Fragility of Solace: Pothos and Memory in Late Roman Gold-Glass Portraiture0
Foul Histories and Forgotten Objects: French Entanglement in the South Pacific0
Image Encounters: Moche Murals and Archaeo Art History, by Lisa Trever0
Art on the Edge: The Church of the Holy Cross, Jvari, Georgia0
Mineral Analogs: Carleton Watkins’s Photographs and the Gold Standard0
Architecture and Material Politics in the Fifteenth-Century Ottoman Empire , by Patricia Blessing0
African Ecomedia: Network Forms, Planetary Politics , by Cajetan IhekaCajetan Iheka African Ecomedia: Network Forms, Planetary Politics Durham, NC: Du0
Editorial Board and Information for Authors0
New Growth: The Art and Texture of Black Hair , by Jasmine Nichole Cobb0
Seeing Race Before Race: Visual Culture and the Racial Matrix in the Premodern World , by Noémie Ndiaye and Lia Markey (eds.)0
Boucher’s Spirit: Authorship, Invention, and the Force of Porcelain0
New Histories of the Papunya Boards, New Beginnings for the Western Desert Painting Movement0
Global Objects: Toward a Connected Art History by Edward S. Cooke, Jr.EDWARD S.COOKE, JR. Global Objects: Toward a Connected Art History Princeton, NJ0
Editorial Board and Information for Authors0
Grafted Arts: Art Making and Taking in the Struggle for Western India, 1760–1910 , by Holly Shaffer; and The Place of Many Moods: Udaipur’s Painted Lands and India’s 0
Icons of the Nursing Virgin in Fifteenth-Century Ethiopia0
Pearls for the Crown: Art, Nature, and Race in the Age of Spanish Expansion , by Mónica Domínguez Torres0
Table of Contents0
Art Collecting, Slavery, and Abolition: Colonial Entanglements between Haiti/Saint-Domingue and the Paris Art World0
“Arabesques”: The Making and Breaking of a Concept in Renaissance Italy0
Rooted in Stone: Sculpture and Colonization in Medieval Regensburg0
Table of Contents0
The Colossus and the Sphinx: Two Cartographies of Africa in Nineteenth-Century Britain0
Table of Contents0
Painting in Stone: Architecture and the Poetics of Marble from Antiquity to the Enlightenment, by Fabio Barry0
The Quiet of Beginnings0
Cinema Before Cinema in Sixteenth-Century Paris: The Cabinet of Mirrors of Catherine de Medici0
Making Up Materials: Donatello and the Cosmetic Act0
A Black Gaze: Artists Changing How We See , by Tina Campt; and White Sight: Visual Politics and Practices of Whiteness , by Nicholas MirzoeffTina M.Ca0
Splendeurs des oasis d’Ouzbékistan/The Splendours of Uzbekistan’s Oases , and Sur les routes de Samarcande. Merveilles de soie et d’or/On the Roads to Samarkand: Wond0
Editorial Board and Information for Authors0
Botanical Illustration and Byzantine Visual Inquiry in the Morgan Dioscorides0
Message from CAA Executive Director0
The Art of Constructive Engagement0
Table of Contents0
The Monument’s End: Public Art and the Modern Republic , by Marisa Bass0
The Collaborative Essay0
Free the Female Nude! Lu Xun’s Book Cover Designs and Symbolist Art in Republican China0
Data and Computer Vision0
“That he may behold”: Constructing Presence through Sight in Ancient Egyptian Art0
Roman Landscapes: Visions of Nature and Myth from Rome and Pompeii , by Jessica Powers (ed.); and Shaping Roman Landscape: Ecocritical Approaches to Architecture and 0
Message from CAA Executive Director0
The Spectacle of Privacy: Geoffrey Hendricks’s Ring Piece and the Ambivalence of Queer Visibility0
Art History after Computer Vision: Further Reading0
Pursuing Immortality, Pursuing the Arts of Death0
Crafting Enlightenment: Artisanal Histories and Transnational Networks, edited by Lauren R. Cannady and Jennifer Ferng; and The Sun King at Sea: Maritime Art and Galley Slavery in Louis XIV'0
Archaic Sculpture and Archaisms of Gender: Rethinking the “Brother and Sister Stele”0
Recentering the Globe: The Lure of Shells and Enconchado Furnishings in Spanish America0
Editorial Board and Information for Authors0
Editing as Scholarship: Reflections on Craft, Conversation, and the Future0
“A Different Kind of Struggle”: Jacob Lawrence’s Hospital Series and the Politics of Art as Therapy0
Air and Danger Circa 1970: Judy Chicago’s Early Atmospheres0
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Jacopo Bassano and the Flood of Feltre0
Title Page0
Table of Contents0
A Ming Chinese and Spanish Imperial Collaboration in Southeast Asia: The Boxer Codex0
Crafting America: Artists and Objects, 1940 to Today, by Glenn Adamson and Jen Padgett; and Greater American Camera: Making Modernism in Mexico, by Monica Bravo0
Art History at the Limits0
French Gothic Ivories: Material Theologies and the Sculptor’s Craft , by Sarah Guérin; and The Mineral and the Visual: Precious Stones in Medieval Secular Culture0
Character in Search of a Play: Parmigianino’s Portrait of a Dignitary0
Grains, Stains, and Worms: Designing from Wood in Early Modern Italy, 1450–15300
Los Incas: Más allá de un imperio (ex. cat.) , by Ricardo Kusunoki, Cecilia Pardo, and Julio Rucabado (eds.); and The Royal Inca Tunic: A Biography of an Andean Maste0
Table of Contents0
Message from CAA Executive Director0
Welcome to the Gayborhood: Beacon Hill Between the Wars0
“What Means This Carnage?”: Civil War Soldiers’ Bodies, Recuperative Projects, and the Army Medical Museum0
Message from CAA Executive Director0
Love, Luxury, and Live Spectacle: Narrative Paintings and Women’s Patronage under the Northern Wei0
Diego Rivera’s Detroit Industry and the Subterranean Commons0
Rebalancing the Cold War: Diné Sandpainting and Earth Diplomacy0
Title Page0
Sewn in Place: Gender, Materiality, and Mapmaking in the Early United States0
Table of Contents0
Title Page0
Editor’s Note0
Through and Against Abstraction: Thinking Space with Smokehouse Associates0
“Magnificence Without Meaning”: Piranesi’s Carceri and the Antiquarian Imagination0
Title Page0
Images on a Mission in Early Modern Kongo and Angola , by Cécile FromontCécile FromontImages on a Mission in Early Modern Kongo and AngolaUniversity Park: Penn State University Pres0
Constable as a Voyage of Discovery0
Table of Contents0
Editorial Board and Information for Authors0
Architectural Guide to Sub-Saharan Africa, by Philipp Meuser and Adil Dalbai (eds.)0
Sewing as a Form of Thinking: The Needle versus the Pen in the Dutch Republic0
“Spanish” Casta Paintings in Nineteenth-Century Britain0
The Mirror of Art: Painting and Reflection in Early Modern Visual Culture , by Genevieve Warwick0
Premodern Globalism in Art History: A Conversation0
Editorial Board and Information for Authors0
Title Page0
Dancing through Dada: Suzanne Duchamp’s Scottish Espagnole0
Message from CAA Executive Director0
Stone and Its Provocations around 1600: Galileo, the Medusa, and the Question of Intarsio0
Monasteries, Murals, and Environmental Degradation in Early Colonial Mexico0
Closer Looking: Computer Vision in Material Studies of Art0
Art History In and Outside of the Academy0
A New Look for the Jewish Past: Historicism, Authenticity, and Fantasy in E. M. Lilien’s Bible Art0
Contents0
Engraving Accuracy in Early Modern England: Visual Communication and the Royal Society , by Megan C. Doherty; and Skepticism's Pictures: Figuring Descartes's Natural 0
Title Page0
Die Formen des Sichtbaren: Eine Anthropologie der Bilder , by Philippe Descola0
And the Mural Came Down: Race, Removal, and Reckoning in the Sunshine City0
Message from CAA Executive Director0
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