Archives of American Art Journal

Papers
(The TQCC of Archives of American Art Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Bricozaje: Between Contested Terrains and Aesthetic Borderlands1
Editor’s Note1
About the Archives of American Art0
Front Cover0
Editor’s Note0
Evoking Place: María Luisa Pacheco’s Abstract Paintings0
New Collections Section Opener0
In Another’s Hand0
New Collections Section Opener0
Front Cover0
Pandemic Oral History Project0
Front Matter0
Race, Violence, and the Textual Politics of the New York Sketch Club0
Editor’s Note0
Notes to Self0
Jay DeFeo, Encore0
Elyse and Stanley Grinstein Papers0
Emanuel Martínez Papers0
N Dimensional Space in a One-Dimensional World: The Art of Holograms in 19700
Front Cover0
William C. Seitz and the Experience of Impressionism0
Oral History0
About the Archives of American Art0
Ways of Speaking and Listening: The Artist Talk0
Henryk Stażewski’s Art in America0
Front Matter0
Robert Hughes Papers0
Marjorie Kreilick Papers0
Dick Polich Papers0
Oral History0
Source X Material0
Being There: The Singularity of Oral History0
Front Matter0
Editor’s Note0
The Art of Diplomacy: British Artists on the Carnegie Institute’s Jury of Award0
Reading Feminism in Modern Tapestry’s Archive0
Roberta Allen Papers0
Reading Settler Archives Relationally0
Paul J. Smith Papers0
“Current and Endless”: Reconsidering Rauschenberg’s Radio Pieces0
Front Cover0
What Is Feminist Art?0
Editor’s Note0
New Collections Section Opener0
Front Matter0
Front Cover0
Robert B. and Beatrice C. Mayer Family Collection Records0
Nela Arias-Misson Papers0
Michèle C. Cone Papers0
Front Cover0
In Conversation0
Kinship Structures: Viola Frey, Charles Fiske, and Figurative Ceramics in California0
New Collections Section Opener0
The Remains of Jerome Caja and Charles Sexton0
Editor’s Note0
Beyond Side by Side: Intermediality in Senga Nengudi’s Collaborations0
Martha Jackson’s Voice: Gender, Oral History, and Art-Historical Evidence0
Albert Murray’s Approach to Oral Art History: An Epistolary Exploration0
About the Archives of American Art0
Robert Bechtle Papers / Tom Wudl Papers0
Front Cover0
Indecipherable0
Whitney Chadwick Papers; David Em Papers0
Editor’s Note0
Oral History0
Intertainment Value:The Cauliflower Alley Tapes0
New Collections Section Opener0
Gallery Scrapbook as Suffrage Archive: Macbeth’s Suffrage Exhibition0
Weaving Abstraction0
Oral History0
About the Archives of American Art0
The Art of Commercial Archives0
Art in General Records0
Editor’s Note0
Hannah Wilke’s Noh: Art, Feminism, and Pornography in the 1970s0
Front Cover0
The Political Economy of AfriCOBRA0
Out of the Box: Beverly Buchanan0
Front Matter0
About the Archives of American Art0
Listening to Ana Mendieta0
Trading With R. Y.0
Four Walls Records0
Front Matter0
In Conversation0
Flo Allen and the Labor of the Nude0
Front Matter0
Connie Zehr Papers; Cherie Raciti Papers0
Jessica Stockholder Papers0
New Collections Section Opener0
Hisako Hibi and Matsusaburo “George” Hibi Papers0
Autobiographical Fantasy and the Feminist Archive0
New Collections Section Opener0
Consuelo Jiménez Underwood Papers0
Oral History0
Oral History0
Front Matter0
Lily Yeh Papers0
Michael Brewster Papers; Elyn Zimmerman Papers0
Envisioning Nonbinary Gender: The Art of Forrest Bess0
About the Archives of American Art0
About the Archives of American Art0
Archives and Exile0
About the Archives of American Art0
Alana Van Derwerker Materials Related to Haystack Mountain School of Crafts0
Anton Refregier and Revolutionary Modern Dance0
Felix Gonzalez-Torres Letters to María Martínez-Cañas0
0.020750999450684