OOIR: Observatory of International Research

Papers

(The TQCC of Journal of the American Musicological Society is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)

Article	Citations
Author Submission Guidelines	2
Madama Butterfly / Madamu Batafurai: Transpositions of a “Japanese Tragedy,” by Arthur Groos	2
In Search of Panpipes, or the Limits of Materiality	2
Contributors to This Issue	2
American Religious Sounds Project	2
Grand Illusion: Phantasmagoria in Nineteenth-Century Opera, by Gabriela Cruz	2
The Literary Echoes in Milton Babbitt’s Music	2
Contributors to This Issue	1
A Poetics of Handel’s Operas, by Nathan Link	1
The Promise and Peril of Making Digital Maps Sing	1
Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300–1550, by Sarah Ann Long	1
Publications Received	1
French Musical Life: Local Dynamics in the Century to World War II, by Katharine Ellis	1
On African Music: Techniques, Influences, Scholarship, by Kofi Agawu	1
Index to Volume 76	1
Digitizing Public Musicology	1
Singing Like Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms, by Kira Thurman	1
O Say Can You Hear? A Cultural Biography of “The Star-Spangled Banner,” by Mark Clague	1
“Listen and Be Amazed!”: Odeon, Künneke, and the First Recordings of Complete Symphonies	1
Carl Philipp Emanuel Bach: The Complete Works	1
Devotional Refrains in Medieval Latin Song, by Mary Channen Caldwell	1
Elisabeth Lutyens and Edward Clark: The Orchestration of Progress in British Twentieth-Century Music, by Annika Forkert and The Life and Music of Elizabeth Maconchy, by Erica Siegel	1
“Empty Claims of Fellowship”? Erich Doflein, Paul Hindemith, and Übungsmusik as Shared Task	1
Colonial Galant: Three Analytical Perspectives from the Chiquitano Missions	1
Buckra: Whiteness and Porgy and Bess	1

The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront, by Cisco Bradley	1
From Modes to Keys in Early Modern Music Theory, by Michael R. Dodds	1
Alberta Hunter, Musical Qualia of Blackness, and Black Women Working Together	1
#AlmaToo: The Art of Being Believed	1
Nothing but Noise: Timbre and Musical Meaning at the Edge, by Zachary Wallmark	1
Industry: Bang on a Can and New Music in the Marketplace, by William Robin	1
Contributors to This Issue	1
Voice, Slavery, and Race in Seventeenth-Century Florence, by Emily Wilbourne	1
Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania, by Sarah Justina Eyerly	1
New Orleans and the Creation of Transatlantic Opera 1819–1859, by Charlotte Bentley	1
In Stravinsky’s Orbit: Responses to Modernism in Russian Paris, by Klára Móricz	1
Author Submission Guidelines	1
Contributors to This Issue	1
Hector Berlioz’s Neurophysiological Imagination	1
Instrumental Music in Late Eighteenth-Century Naples: Politics, Patronage and Artistic Culture, by Anthony R. DelDonna	1
Author Submission Guidelines	1
Prior Art: Forensic Evidence of Musical Originality in Copyright Litigation	1
Clara Schumann Studies, edited by Joe Davies	1
Colloquy: Theorizing Global Music History	1
Berlioz in Time: From Early Recognition to Lasting Renown, by Peter Bloom	1
Vaughan Williams and His World, edited by Byron Adams and Daniel M. Grimley	1
Experiencing Eras, Worldbuilding, and the Prismatic Liveness of Taylor Swift and The Eras Tour	1
From Servant to Savant: Musical Privilege, Property, and the French Revolution, by Rebecca Dowd Geoffroy-Schwinden	1
Contributors to This Issue	1
The Beatles: Get Back, directed by Peter Jackson	1
Feasting and Fasting in Opera: From Renaissance Banquets to the Callas Diet, by Pierpaolo Polzonetti	1
From the Ruins of Enlightenment: Beethoven and Schubert in Their Solitude, by Richard Kramer	1
Creatures of the Air: Music, Atlantic Spirits, Breath, 1817–1913, by James Q. Davies	1
From Dreams to Nightmares: The Nazi Suppression of Mendelssohn’s Incidental Music to A Midsummer Night’s Dream	1
Remember Me: Vocal Cadenzas as Mementos in Nineteenth-Century Musical Autograph Albums	1
Alien Listening: Voyager’s Golden Record and Music from Earth, by Daniel K. L. Chua and Alexander Rehding	1
Opera in the Tropics: Music and Theater in Early Modern Brazil, by Rogério Budasz; The Sweet Penance of Music: Musical Life in Colonial Santiago de Chile, by Alejandro Vera; Cinesonid	1
Contributors to This Issue	1
Publications Received	1
Synchronization as Musical Labor in Italian Silent Cinemas	1
Shared Musical Lives: Philosophy, Disability, and the Power of Sonification, by Licia Carlson	1
De Nueva España a México: El universo musical mexicano entre centenarios (1517–1917), edited by Javier Marín-López	1
Reevaluating Political Musiktheater and Reversing Colonialist History: Mauricio Kagel’s Mare Nostrum (1975)	1
Sounding Together: Collaborative Perspectives on U.S. Music in the 21st Century, edited by Charles Hiroshi Garrett and Carol J. Oja	1