Journal of the American Musicological Society

Article	Citations
In Search of Panpipes, or the Limits of Materiality	2
Contributors to This Issue	2
American Religious Sounds Project	2
Grand Illusion: Phantasmagoria in Nineteenth-Century Opera, by Gabriela Cruz	2
The Literary Echoes in Milton Babbitt’s Music	2
Author Submission Guidelines	2
Madama Butterfly / Madamu Batafurai: Transpositions of a “Japanese Tragedy,” by Arthur Groos	2
The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront, by Cisco Bradley	1
From Modes to Keys in Early Modern Music Theory, by Michael R. Dodds	1
Alberta Hunter, Musical Qualia of Blackness, and Black Women Working Together	1
#AlmaToo: The Art of Being Believed	1
Nothing but Noise: Timbre and Musical Meaning at the Edge, by Zachary Wallmark	1
Industry: Bang on a Can and New Music in the Marketplace, by William Robin	1
Voice, Slavery, and Race in Seventeenth-Century Florence, by Emily Wilbourne	1
Contributors to This Issue	1
New Orleans and the Creation of Transatlantic Opera 1819–1859, by Charlotte Bentley	1
Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania, by Sarah Justina Eyerly	1
In Stravinsky’s Orbit: Responses to Modernism in Russian Paris, by Klára Móricz	1
Author Submission Guidelines	1
Contributors to This Issue	1
Hector Berlioz’s Neurophysiological Imagination	1
Instrumental Music in Late Eighteenth-Century Naples: Politics, Patronage and Artistic Culture, by Anthony R. DelDonna	1
Author Submission Guidelines	1
Prior Art: Forensic Evidence of Musical Originality in Copyright Litigation	1
Clara Schumann Studies, edited by Joe Davies	1

Colloquy: Theorizing Global Music History	1
Berlioz in Time: From Early Recognition to Lasting Renown, by Peter Bloom	1
Vaughan Williams and His World, edited by Byron Adams and Daniel M. Grimley	1
Experiencing Eras, Worldbuilding, and the Prismatic Liveness of Taylor Swift and The Eras Tour	1
From Servant to Savant: Musical Privilege, Property, and the French Revolution, by Rebecca Dowd Geoffroy-Schwinden	1
Contributors to This Issue	1
The Beatles: Get Back, directed by Peter Jackson	1
From the Ruins of Enlightenment: Beethoven and Schubert in Their Solitude, by Richard Kramer	1
Feasting and Fasting in Opera: From Renaissance Banquets to the Callas Diet, by Pierpaolo Polzonetti	1
From Dreams to Nightmares: The Nazi Suppression of Mendelssohn’s Incidental Music to A Midsummer Night’s Dream	1
Creatures of the Air: Music, Atlantic Spirits, Breath, 1817–1913, by James Q. Davies	1
Remember Me: Vocal Cadenzas as Mementos in Nineteenth-Century Musical Autograph Albums	1
Alien Listening: Voyager’s Golden Record and Music from Earth, by Daniel K. L. Chua and Alexander Rehding	1
Opera in the Tropics: Music and Theater in Early Modern Brazil, by Rogério Budasz; The Sweet Penance of Music: Musical Life in Colonial Santiago de Chile, by Alejandro Vera; Cinesonid	1
Contributors to This Issue	1
Publications Received	1
Synchronization as Musical Labor in Italian Silent Cinemas	1
Shared Musical Lives: Philosophy, Disability, and the Power of Sonification, by Licia Carlson	1
De Nueva España a México: El universo musical mexicano entre centenarios (1517–1917), edited by Javier Marín-López	1
Reevaluating Political Musiktheater and Reversing Colonialist History: Mauricio Kagel’s Mare Nostrum (1975)	1
Sounding Together: Collaborative Perspectives on U.S. Music in the 21st Century, edited by Charles Hiroshi Garrett and Carol J. Oja	1
Contributors to This Issue	1
A Poetics of Handel’s Operas, by Nathan Link	1
The Promise and Peril of Making Digital Maps Sing	1
Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300–1550, by Sarah Ann Long	1
French Musical Life: Local Dynamics in the Century to World War II, by Katharine Ellis	1
Publications Received	1
Index to Volume 76	1
On African Music: Techniques, Influences, Scholarship, by Kofi Agawu	1
Singing Like Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms, by Kira Thurman	1
Digitizing Public Musicology	1
O Say Can You Hear? A Cultural Biography of “The Star-Spangled Banner,” by Mark Clague	1
“Listen and Be Amazed!”: Odeon, Künneke, and the First Recordings of Complete Symphonies	1
Carl Philipp Emanuel Bach: The Complete Works	1
Devotional Refrains in Medieval Latin Song, by Mary Channen Caldwell	1
Elisabeth Lutyens and Edward Clark: The Orchestration of Progress in British Twentieth-Century Music, by Annika Forkert and The Life and Music of Elizabeth Maconchy, by Erica Siegel	1
“Empty Claims of Fellowship”? Erich Doflein, Paul Hindemith, and Übungsmusik as Shared Task	1
Colonial Galant: Three Analytical Perspectives from the Chiquitano Missions	1
Buckra: Whiteness and Porgy and Bess	1
Publications Received	0
Music and Power at the Court of Louis XIII: Sounding the Liturgy in Early Modern France, by Peter Bennett	0
Author Submission Guidelines	0
Sounding Latin Music, Hearing the Americas, by Jairo Moreno	0
Citations: The Renaissance Imitation Mass Project (CRIM). Richard Freedman and David Fiala, Project Directors.	0
What the Ballad Knows: The Ballad Genre, Memory Culture, and German Nationalism, by Adrian Daub	0
Constructing Celebrity at Cours-la-Reine in Massenet’s Manon	0
On Music Theory, and Making Music More Welcoming for Everyone, by Philip Ewell	0
Sound Relations: Native Ways of Doing Music History in Alaska, by Jessica Bissett Perea	0
Faith, Trauma, Resistance, and Resilience in the Revolutionary Songs of Civil War El Salvador	0
The Shadow of the Empress: Fairy-Tale Opera and the End of the Habsburg Monarchy, by Larry Wolff	0

Music, Subjectivity, and Schumann, by Benedict Taylor	0
Fantasie nègre: The Piano Music of Florence Price, by Samantha Ege	0
Sacred Sounds, Secular Spaces: Transforming Catholicism through the Music of Third-Republic Paris, by Jennifer Walker	0
History beyond Recovery: Julius Eastman and the Challenge of the Heterological	0
The Global Tonnetz	0
Staging the Cinematic: Puccini, Fanciulla, and Early Silent Film	0
Song in the Sumatran Highlands	0
Contributors to This Issue	0
Life of a Colombian Musician: Music Autobiography, Cosmopolitan Musickings, and Agonistic Objectification	0
Author Submission Guidelines	0
On the Failure of White Feminism: When PJ Harvey and Björk Covered the Rolling Stones’ “Satisfaction”	0
Contributors to This Issue	0
The Neural Orchestra: Cognitive Instrumentalities	0
Publications Received	0
Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland, by Andrea F. Bohlman	0
Billie Eilish and the Feminist Aesthetics of Depression: White Femininity, Generation Z, and Whisper Singing	0
The Haydn Economy: Music, Aesthetics, and Commerce in the Late Eighteenth Century, by Nicholas Mathew	0
Armida on the Beach: A Cinquecento Rhetorical Model of the Emotions and Its Musical Reception	0
Healing for the Soul: Richard Smallwood, the Vamp, and the Gospel Imagination, by Braxton D. Shelley	0
Publications Received	0
Index to Volume 75	0
Mozart and the Mediation of Childhood, by Adeline Mueller	0
Author Submission Guidelines	0
Fanfare for a City: Music and the Urban Imagination in Haussmann’s Paris, by Jacek Blaszkiewicz	0
The Beethoven Syndrome: Hearing Music as Autobiography, by Mark Evan Bonds	0
Sonic Bodies: Text, Music, and Silence in Late Medieval England, by Tekla Bude	0
Music in the Flesh: An Early Modern Physiology, by Bettina Varwig	0
Author Submission Guidelines	0
Author Submission Guidelines	0
Singing Webern, Sounding Webern: Bethany Beardslee, Grace-Lynne Martin, and Marni Nixon, 1950–1957	0
Listening through the Colonial Noise: Things, Sound Objects, and Legacy at the Berliner Phonogramm-Archiv’s Konrad T. Preuss Collection	0
Musical Migration and Imperial New York: Early Cold War Scenes, by Brigid Cohen	0
Queer Country, by Shana Goldin-Perschbacher	0
Contributors to This Issue	0
Women and Music in Sixteenth-Century Ferrara, by Laurie Stras	0
I Used to Love to Dream, by A. D. Carson	0
How Sonata Forms: A Bottom-Up Approach to Musical Form, by Yoel Greenberg	0
Author Submission Guidelines	0
Publications Received	0
Sonic Decency: Music in the Aftermath of Guatemala’s 1773 Santa Marta Earthquake	0
Author Submission Guidelines	0
Evliya’s Song: Listening to the Early Modern Ottoman Court	0
Olin Downes and the Soviets	0
Summer of Soul (… Or, When the Revolution Could Not Be Televised), directed by Ahmir “Questlove” Thompson	0
Music, Sound, and Trauma	0
Musical Genre and Romantic Ideology: Belonging in the Age of Originality, by Matthew Gelbart	0
Flaming? The Peculiar Theopolitics of Fire and Desire in Black Male Gospel Performance, by Alisha Lola Jones	0
Global Chopin: The 1949 Centenary and Polish Internationalism during the Early Cold War	0
Sounding Human: Music and Machines, 1740/2020, by Deirdre Loughridge	0
Timeline of African American Music	0
Race, Gender, and the Colonial Orchestral Body at the New Zealand International Exhibition, 1906	0
Publications Received	0
Publications Received	0
Black Diamond Queens: African American Women and Rock and Roll, by Maureen Mahon	0
Liturgy and Sequences of the Sainte-Chapelle: Music, Relics, and Sacral Kingship in Thirteenth-Century France, by Yossi Maurey; Vexilla regis glorie: Liturgy and Relics at the Sainte-Chapell	0
Politics, Technology, and Interdisciplinarity at the Centro Latinoamericano de Altos Estudios Musicales (CLAEM): Rafael Aponte-Ledée’s Presagio de pájaros muertos (1966)	0
Nadia Boulanger and Her World, edited by Jeanice Brooks	0
Seachanges: Music in the Mediterranean and Atlantic Worlds, 1550–1800, edited by Kate van Orden	0
Vera Lynn Sings: Domesticity, Glamour, and National Belonging on 1950s British Television	0
Printing Music in Renaissance Rome, by Jane A. Bernstein	0
The Search for Medieval Music in Africa and Germany, 1891–1961: Scholars, Singers, Missionaries, by Anna Maria Busse Berger	0
Publications Received	0
Throwing off the Russian Lenses from Soviet Music: The Colonization and Decolonization of Georgian and Ukrainian Music	0
The Great War, the Little String, and the Transformation of Modern Violin Playing	0
Synthesized Socialism: Soviet Modernity and the Politics of Timbre in the Cold War	0
She Played and Sang: Jane Austen and Music, by Gillian Dooley	0
Mozart the Performer: Variations on the Showman’s Art, by Dorian Bandy	0
Where Sight Meets Sound: The Poetics of Late-Medieval Music Writing, by Emily Zazulia	0
Aesthetic Wit(h)nessing in Anti-lynching Songs by Silvestre Revueltas and Carlos Chávez	0
Haydn and Mozart in the Long Nineteenth Century: Parallel and Intersecting Patterns of Reception, by Simon P. Keefe	0
Songs of the New World and the Breath of the Planet at the Orbis Spike, 1610: Toward a Decolonial Musicology of the Anthropocene	0
The Comedians of the King: “Opéra Comique” and the Bourbon Monarchy on the Eve of Revolution, by Julia Doe	0
The Musical Language of Italian Opera, 1813–1859, by William Rothstein	0
Nostalgia and Videogame Music: A Primer of Case Studies, Theories, and Analyses for the Player-Academic, edited by Can Aksoy, Sarah Pozderac-Chenevey, and Vincent E. Rone	0
Contributors to This Issue	0
Material Cultures of Music Notation: New Perspectives on Musical Inscription, edited by Floris Schuiling and Emily Payne	0
Publications Received	0
Digital Open-Access and Open Educational Resources for the Music History Classroom	0
Gender and Voice in Medieval French Literature and Song, edited by Rachel May Golden and Katherine Kong and A Companion to Female-Voice Song and Women’s Musical Agency in the Middle Ages	0
Beyond Exceptionalism: The Washington Conservatory of Music and the Education of Black Classical Musicians, 1903–60	0

Singing in Stimmtausch ca. 1100–1350: Repositioning Polyphony in Medieval France	0
Monteverdi and the Marvellous: Poetry, Sound, and Representation, by Roseen Giles	0