OOIR: Observatory of International Research

Papers

(The median citation count of Journal of the American Musicological Society is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)

Article	Citations
Ableton Live 11	4
Chinese Ears, Delicate or Dull? Toward a Decolonial Comparativism	3
Sonic Visualiser: Visualisation, Analysis, and Annotation of Music Audio Recordings	2
De Nueva España a México: El universo musical mexicano entre centenarios (1517–1917), edited by Javier Marín-López	2
Singing Webern, Sounding Webern: Bethany Beardslee, Grace-Lynne Martin, and Marni Nixon, 1950–1957	2
Reverie, Schmaltz, and the Modernist Imagination	2
Pacifica Radio’sMusic from the Hearts of Spaceand the Ambient Sound of California’s New Age	2
Synthesized Socialism: Soviet Modernity and the Politics of Timbre in the Cold War	2
Detours on a Winter’s Journey: Schubert’s Winterreise in Nineteenth-Century Concerts	1
Sex, Death and Minuets: Anna Magdalena Bach and Her Musical Notebooks, by David Yearsley	1
Devotional Refrains in Medieval Latin Song, by Mary Channen Caldwell	1
Race, Gender, and the Colonial Orchestral Body at the New Zealand International Exhibition, 1906	1
Material Cultures of Music Notation: New Perspectives on Musical Inscription, edited by Floris Schuiling and Emily Payne	1
Summer of Soul (… Or, When the Revolution Could Not Be Televised), directed by Ahmir “Questlove” Thompson	1
Berlioz in Time: From Early Recognition to Lasting Renown, by Peter Bloom	1
Instrumental Music in Late Eighteenth-Century Naples: Politics, Patronage and Artistic Culture, by Anthony R. DelDonna	1
Dig That Lick (DTL): Analyzing Large-Scale Data for Melodic Patterns in Jazz Performances	1
Music, Subjectivity, and Schumann, by Benedict Taylor	1
The Comedians of the King: “Opéra Comique” and the Bourbon Monarchy on the Eve of Revolution, by Julia Doe	1
Sound Relations: Native Ways of Doing Music History in Alaska, by Jessica Bissett Perea	1
Industry: Bang on a Can and New Music in the Marketplace, by William Robin	1
Women and Music in Sixteenth-Century Ferrara, by Laurie Stras	1
Healing for the Soul: Richard Smallwood, the Vamp, and the Gospel Imagination, by Braxton D. Shelley	1
The Beethoven Syndrome: Hearing Music as Autobiography, by Mark Evan Bonds	1
Remember Me: Vocal Cadenzas as Mementos in Nineteenth-Century Musical Autograph Albums	1

Polyphony in Medieval Paris: The Art of Composing with Plainchant, by Catherine A. Bradley	1
The Invention of Latin American Music: A Transnational History, by Pablo Palomino	1
French Musical Life: Local Dynamics in the Century to World War II, by Katharine Ellis	1
Dancing Revolution: Bodies, Space and Sound in American Cultural History, by Christopher J. Smith	1
Music and Power at the Court of Louis XIII: Sounding the Liturgy in Early Modern France, by Peter Bennett	1
The Voice as Something More: Essays toward Materiality, edited by Martha Feldman and Judith T. Zeitlin	1
Dedicating Music, 1785–1850, by Emily H. Green	1
Sonic Bodies: Text, Music, and Silence in Late Medieval England, by Tekla Bude	1
Singing Like Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms, by Kira Thurman	1
Rethinking Reich, edited by Sumanth Gopinath and Pwyll ap Siôn	1
Song in the Sumatran Highlands	1
Seachanges: Music in the Mediterranean and Atlantic Worlds, 1550–1800, edited by Kate van Orden	1
Nadia Boulanger and Her World, edited by Jeanice Brooks	1
The Race of Sound: Listening, Timbre, and Vocality in African American Music, by Nina Sun Eidsheim	1
“Empty Claims of Fellowship”? Erich Doflein, Paul Hindemith, and Übungsmusik as Shared Task	1
The Beatles: Get Back, directed by Peter Jackson	1
Publications Received	1
The Female Sublime: Domesticating Luigia Todi’s Voice	1
Mozart and the Mediation of Childhood, by Adeline Mueller	1
Colonial Galant: Three Analytical Perspectives from the Chiquitano Missions	1
Grand Illusion: Phantasmagoria in Nineteenth-Century Opera, by Gabriela Cruz	1
Beethoven’s Theologian: Johann Michael Sailer and the Missa solemnis	1
Sounding Together: Collaborative Perspectives on U.S. Music in the 21st Century, edited by Charles Hiroshi Garrett and Carol J. Oja	1
Troping Time: Refrain Interpolation in Sacred Latin Song, ca. 1140–1853	1
Buckra: Whiteness and Porgy and Bess	1
Queer Country, by Shana Goldin-Perschbacher	1
Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300–1550, by Sarah Ann Long	1
Sacred Sounds, Secular Spaces: Transforming Catholicism through the Music of Third-Republic Paris, by Jennifer Walker	1
American Religious Sounds Project	1
Tasso in Music Project (TiMP): Digital Edition of the Settings of Torquato Tasso’s Poetry, c. 1570–1640	1
Beethoven 1806, by Mark Ferraguto	1
O Say Can You Hear? A Cultural Biography of “The Star-Spangled Banner,” by Mark Clague	1
The Search for Medieval Music in Africa and Germany, 1891–1961: Scholars, Singers, Missionaries, by Anna Maria Busse Berger	1
Clara Schumann Studies, edited by Joe Davies	1
Mapping Medieval Identities in Occitanian Crusade Song, by Rachel May Golden	1
Early American Music and the Construction of Race	1
Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice, by Jane D. Hatter	1
Life of a Colombian Musician: Music Autobiography, Cosmopolitan Musickings, and Agonistic Objectification	1
Cursed Questions: On Music and Its Social Practices, by Richard Taruskin	1
Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania, by Sarah Justina Eyerly	1
Nothing but Noise: Timbre and Musical Meaning at the Edge, by Zachary Wallmark	1
I Used to Love to Dream, by A. D. Carson	1
The Heart of a Woman: The Life and Music of Florence B. Price, by Rae Linda Brown	1
Songs of the New World and the Breath of the Planet at the Orbis Spike, 1610: Toward a Decolonial Musicology of the Anthropocene	1
Sonic Decency: Music in the Aftermath of Guatemala’s 1773 Santa Marta Earthquake	1
Musical Migration and Imperial New York: Early Cold War Scenes, by Brigid Cohen	1
Class, Control, and Classical Music, by Anna Bull	1
Black Diamond Queens: African American Women and Rock and Roll, by Maureen Mahon	1
Hector Berlioz’s Neurophysiological Imagination	1
Aesthetic Wit(h)nessing in Anti-lynching Songs by Silvestre Revueltas and Carlos Chávez	1

Synchronization as Musical Labor in Italian Silent Cinemas	1
#AlmaToo: The Art of Being Believed	1
Alien Listening: Voyager’s Golden Record and Music from Earth, by Daniel K. L. Chua and Alexander Rehding	1
Vera Lynn Sings: Domesticity, Glamour, and National Belonging on 1950s British Television	1
Feasting and Fasting in Opera: From Renaissance Banquets to the Callas Diet, by Pierpaolo Polzonetti	1
Flaming? The Peculiar Theopolitics of Fire and Desire in Black Male Gospel Performance, by Alisha Lola Jones	1
Metropolitan Opera Archives; Traveling Culture: Circuit Chautauqua in the Twentieth Century; Re-envisioning Japan: Japan as Destination in 20th-Century Visual and Material Culture	1
From Servant to Savant: Musical Privilege, Property, and the French Revolution, by Rebecca Dowd Geoffroy-Schwinden	1
Film, Music, Memory, by Berthold Hoeckner	1
Electronic Inspirations : Technologies of the Cold War Musical Avant-Garde, by Jennifer Iverson	1
Carl Philipp Emanuel Bach: The Complete Works	1
Global Chopin: The 1949 Centenary and Polish Internationalism during the Early Cold War	1
Staging the Cinematic: Puccini, Fanciulla, and Early Silent Film	1
Extreme Exoticism: Japan in the American Musical Imagination, by W. Anthony Sheppard	1
“Listen and Be Amazed!”: Odeon, Künneke, and the First Recordings of Complete Symphonies	1
Mémoires d’Hector Berlioz de 1803 à 1865 et ses voyages en Italie, en Allemagne, en Russie et en Angleterre écrits par lui-même, edited by Peter Bloom	1
In Stravinsky’s Orbit: Responses to Modernism in Russian Paris, by Klára Móricz	1