OOIR: Observatory of International Research

Papers

(The median citation count of Journal of the American Musicological Society is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
Chinese Ears, Delicate or Dull? Toward a Decolonial Comparativism	4
Ableton Live 11	4
Shellac as Musical Plastic	3
Reverie, Schmaltz, and the Modernist Imagination	3
Sonic Visualiser: Visualisation, Analysis, and Annotation of Music Audio Recordings	2
Dig That Lick (DTL): Analyzing Large-Scale Data for Melodic Patterns in Jazz Performances	2
Pacifica Radio’sMusic from the Hearts of Spaceand the Ambient Sound of California’s New Age	2
Early American Music and the Construction of Race	2
Beethoven’s Theologian: Johann Michael Sailer and the Missa solemnis	2
Synthesized Socialism: Soviet Modernity and the Politics of Timbre in the Cold War	2
Songs of the New World and the Breath of the Planet at the Orbis Spike, 1610: Toward a Decolonial Musicology of the Anthropocene	2
Singing Webern, Sounding Webern: Bethany Beardslee, Grace-Lynne Martin, and Marni Nixon, 1950–1957	2
De Nueva España a México: El universo musical mexicano entre centenarios (1517–1917), edited by Javier Marín-López	2
Carl Philipp Emanuel Bach: The Complete Works	2
Mémoires d’Hector Berlioz de 1803 à 1865 et ses voyages en Italie, en Allemagne, en Russie et en Angleterre écrits par lui-même, edited by Peter Bloom	1
Mapping Medieval Identities in Occitanian Crusade Song, by Rachel May Golden	1
Global Chopin: The 1949 Centenary and Polish Internationalism during the Early Cold War	1
Detours on a Winter’s Journey: Schubert’s Winterreise in Nineteenth-Century Concerts	1
Life of a Colombian Musician: Music Autobiography, Cosmopolitan Musickings, and Agonistic Objectification	1
“Listen and Be Amazed!”: Odeon, Künneke, and the First Recordings of Complete Symphonies	1
Devotional Refrains in Medieval Latin Song, by Mary Channen Caldwell	1
Grand Illusion: Phantasmagoria in Nineteenth-Century Opera, by Gabriela Cruz	1
The Female Sublime: Domesticating Luigia Todi’s Voice	1
Troping Time: Refrain Interpolation in Sacred Latin Song, ca. 1140–1853	1
The Comedians of the King: “Opéra Comique” and the Bourbon Monarchy on the Eve of Revolution, by Julia Doe	1

Sonic Decency: Music in the Aftermath of Guatemala’s 1773 Santa Marta Earthquake	1
Instrumental Music in Late Eighteenth-Century Naples: Politics, Patronage and Artistic Culture, by Anthony R. DelDonna	1
Sound Relations: Native Ways of Doing Music History in Alaska, by Jessica Bissett Perea	1
Black Diamond Queens: African American Women and Rock and Roll, by Maureen Mahon	1
Publications Received	1
Women and Music in Sixteenth-Century Ferrara, by Laurie Stras	1
Healing for the Soul: Richard Smallwood, the Vamp, and the Gospel Imagination, by Braxton D. Shelley	1
The Beethoven Syndrome: Hearing Music as Autobiography, by Mark Evan Bonds	1
O Say Can You Hear? A Cultural Biography of “The Star-Spangled Banner,” by Mark Clague	1
The Invention of Latin American Music: A Transnational History, by Pablo Palomino	1
From Servant to Savant: Musical Privilege, Property, and the French Revolution, by Rebecca Dowd Geoffroy-Schwinden	1
Music and Power at the Court of Louis XIII: Sounding the Liturgy in Early Modern France, by Peter Bennett	1
Song in the Sumatran Highlands	1
Musical Migration and Imperial New York: Early Cold War Scenes, by Brigid Cohen	1
Sonic Bodies: Text, Music, and Silence in Late Medieval England, by Tekla Bude	1
The Race of Sound: Listening, Timbre, and Vocality in African American Music, by Nina Sun Eidsheim	1
Dancing Revolution: Bodies, Space and Sound in American Cultural History, by Christopher J. Smith	1
Rethinking Reich, edited by Sumanth Gopinath and Pwyll ap Siôn	1
Extreme Exoticism: Japan in the American Musical Imagination, by W. Anthony Sheppard	1
Dedicating Music, 1785–1850, by Emily H. Green	1
The Heart of a Woman: The Life and Music of Florence B. Price, by Rae Linda Brown	1
Seachanges: Music in the Mediterranean and Atlantic Worlds, 1550–1800, edited by Kate van Orden	1
Nadia Boulanger and Her World, edited by Jeanice Brooks	1
“Empty Claims of Fellowship”? Erich Doflein, Paul Hindemith, and Übungsmusik as Shared Task	1
Synchronization as Musical Labor in Italian Silent Cinemas	1
Class, Control, and Classical Music, by Anna Bull	1
Race, Gender, and the Colonial Orchestral Body at the New Zealand International Exhibition, 1906	1
Evliya’s Song: Listening to the Early Modern Ottoman Court	1
Berlioz in Time: From Early Recognition to Lasting Renown, by Peter Bloom	1
Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300–1550, by Sarah Ann Long	1
Sounding Together: Collaborative Perspectives on U.S. Music in the 21st Century, edited by Charles Hiroshi Garrett and Carol J. Oja	1
Music, Subjectivity, and Schumann, by Benedict Taylor	1
Polyphony in Medieval Paris: The Art of Composing with Plainchant, by Catherine A. Bradley	1
Buckra: Whiteness and Porgy and Bess	1
Queer Country, by Shana Goldin-Perschbacher	1
Sacred Sounds, Secular Spaces: Transforming Catholicism through the Music of Third-Republic Paris, by Jennifer Walker	1
Feasting and Fasting in Opera: From Renaissance Banquets to the Callas Diet, by Pierpaolo Polzonetti	1
Beethoven 1806, by Mark Ferraguto	1
French Musical Life: Local Dynamics in the Century to World War II, by Katharine Ellis	1
Clara Schumann Studies, edited by Joe Davies	1
Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania, by Sarah Justina Eyerly	1
Tasso in Music Project (TiMP): Digital Edition of the Settings of Torquato Tasso’s Poetry, c. 1570–1640	1
Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice, by Jane D. Hatter	1
The Voice as Something More: Essays toward Materiality, edited by Martha Feldman and Judith T. Zeitlin	1
The Search for Medieval Music in Africa and Germany, 1891–1961: Scholars, Singers, Missionaries, by Anna Maria Busse Berger	1
Cursed Questions: On Music and Its Social Practices, by Richard Taruskin	1
Singing Like Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms, by Kira Thurman	1
Hector Berlioz’s Neurophysiological Imagination	1
Nothing but Noise: Timbre and Musical Meaning at the Edge, by Zachary Wallmark	1
I Used to Love to Dream, by A. D. Carson	1

Summer of Soul (… Or, When the Revolution Could Not Be Televised), directed by Ahmir “Questlove” Thompson	1
Industry: Bang on a Can and New Music in the Marketplace, by William Robin	1
Colonial Galant: Three Analytical Perspectives from the Chiquitano Missions	1
The Beatles: Get Back, directed by Peter Jackson	1
Material Cultures of Music Notation: New Perspectives on Musical Inscription, edited by Floris Schuiling and Emily Payne	1
Aesthetic Wit(h)nessing in Anti-lynching Songs by Silvestre Revueltas and Carlos Chávez	1
Mozart and the Mediation of Childhood, by Adeline Mueller	1
Flaming? The Peculiar Theopolitics of Fire and Desire in Black Male Gospel Performance, by Alisha Lola Jones	1
#AlmaToo: The Art of Being Believed	1
Alien Listening: Voyager’s Golden Record and Music from Earth, by Daniel K. L. Chua and Alexander Rehding	1
Vera Lynn Sings: Domesticity, Glamour, and National Belonging on 1950s British Television	1
Remember Me: Vocal Cadenzas as Mementos in Nineteenth-Century Musical Autograph Albums	1
Metropolitan Opera Archives; Traveling Culture: Circuit Chautauqua in the Twentieth Century; Re-envisioning Japan: Japan as Destination in 20th-Century Visual and Material Culture	1
American Religious Sounds Project	1
Electronic Inspirations : Technologies of the Cold War Musical Avant-Garde, by Jennifer Iverson	1
In Stravinsky’s Orbit: Responses to Modernism in Russian Paris, by Klára Móricz	1
Staging the Cinematic: Puccini, Fanciulla, and Early Silent Film	1
Sex, Death and Minuets: Anna Magdalena Bach and Her Musical Notebooks, by David Yearsley	1
Film, Music, Memory, by Berthold Hoeckner	1