OOIR: Observatory of International Research

Papers

(The median citation count of Journal of the American Musicological Society is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-03-01 to 2025-03-01.)

Article	Citations
Musical Genre and Romantic Ideology: Belonging in the Age of Originality, by Matthew Gelbart	2
Singing Like Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms, by Kira Thurman	2
Index to Volume 75	2
Contributors to This Issue	2
Life of a Colombian Musician: Music Autobiography, Cosmopolitan Musickings, and Agonistic Objectification	2
Feasting and Fasting in Opera: From Renaissance Banquets to the Callas Diet, by Pierpaolo Polzonetti	1
Sounding Latin Music, Hearing the Americas, by Jairo Moreno	1
Publications Received	1
Author Submission Guidelines	1
Music, Subjectivity, and Schumann, by Benedict Taylor	1
Author Submission Guidelines	1
Publications Received	1
Beyond Exceptionalism: The Washington Conservatory of Music and the Education of Black Classical Musicians, 1903–60	1
Berlioz in Time: From Early Recognition to Lasting Renown, by Peter Bloom	1
Armida on the Beach: A Cinquecento Rhetorical Model of the Emotions and Its Musical Reception	1
Carl Philipp Emanuel Bach: The Complete Works	1
Race, Gender, and the Colonial Orchestral Body at the New Zealand International Exhibition, 1906	1
Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania, by Sarah Justina Eyerly	1
Author Submission Guidelines	1
Nostalgia and Videogame Music: A Primer of Case Studies, Theories, and Analyses for the Player-Academic, edited by Can Aksoy, Sarah Pozderac-Chenevey, and Vincent E. Rone	1
Author Submission Guidelines	1
Opera in the Tropics: Music and Theater in Early Modern Brazil, by Rogério Budasz; The Sweet Penance of Music: Musical Life in Colonial Santiago de Chile, by Alejandro Vera; Cinesonid	1
Black Diamond Queens: African American Women and Rock and Roll, by Maureen Mahon	1
From Servant to Savant: Musical Privilege, Property, and the French Revolution, by Rebecca Dowd Geoffroy-Schwinden	1
Politics, Technology, and Interdisciplinarity at the Centro Latinoamericano de Altos Estudios Musicales (CLAEM): Rafael Aponte-Ledée’s Presagio de pájaros muertos (1966)	1

Printing Music in Renaissance Rome, by Jane A. Bernstein	1
O Say Can You Hear? A Cultural Biography of “The Star-Spangled Banner,” by Mark Clague	1
Liturgy and Sequences of the Sainte-Chapelle: Music, Relics, and Sacral Kingship in Thirteenth-Century France, by Yossi Maurey; Vexilla regis glorie: Liturgy and Relics at the Sainte-Chapell	1
On African Music: Techniques, Influences, Scholarship, by Kofi Agawu	1
Author Submission Guidelines	1
French Musical Life: Local Dynamics in the Century to World War II, by Katharine Ellis	1
Synchronization as Musical Labor in Italian Silent Cinemas	1
The Literary Echoes in Milton Babbitt’s Music	1
Grand Illusion: Phantasmagoria in Nineteenth-Century Opera, by Gabriela Cruz	1
Haydn and Mozart in the Long Nineteenth Century: Parallel and Intersecting Patterns of Reception, by Simon P. Keefe	1
Contributors to This Issue	1
Sonic Decency: Music in the Aftermath of Guatemala’s 1773 Santa Marta Earthquake	1
Madama Butterfly / Madamu Batafurai: Transpositions of a “Japanese Tragedy,” by Arthur Groos	1
Publications Received	1
Alien Listening: Voyager’s Golden Record and Music from Earth, by Daniel K. L. Chua and Alexander Rehding	1
Billie Eilish and the Feminist Aesthetics of Depression: White Femininity, Generation Z, and Whisper Singing	1
Fantasie nègre: The Piano Music of Florence Price, by Samantha Ege	1
American Religious Sounds Project	1
Citations: The Renaissance Imitation Mass Project (CRIM). Richard Freedman and David Fiala, Project Directors.	1
What the Ballad Knows: The Ballad Genre, Memory Culture, and German Nationalism, by Adrian Daub	1
Remember Me: Vocal Cadenzas as Mementos in Nineteenth-Century Musical Autograph Albums	1
Nadia Boulanger and Her World, edited by Jeanice Brooks	1
Music, Sound, and Trauma	1
Publications Received	1
Queer Country, by Shana Goldin-Perschbacher	1
Mozart and the Mediation of Childhood, by Adeline Mueller	1
Song in the Sumatran Highlands	1
Publications Received	1
The Beatles: Get Back, directed by Peter Jackson	1
In Stravinsky’s Orbit: Responses to Modernism in Russian Paris, by Klára Móricz	1
Publications Received	1
Timeline of African American Music	1
Industry: Bang on a Can and New Music in the Marketplace, by William Robin	1
The Great War, the Little String, and the Transformation of Modern Violin Playing	1
I Used to Love to Dream, by A. D. Carson	1
Healing for the Soul: Richard Smallwood, the Vamp, and the Gospel Imagination, by Braxton D. Shelley	1
Synthesized Socialism: Soviet Modernity and the Politics of Timbre in the Cold War	1
Mozart the Performer: Variations on the Showman’s Art, by Dorian Bandy	0
Staging the Cinematic: Puccini, Fanciulla, and Early Silent Film	0
How Sonata Forms: A Bottom-Up Approach to Musical Form, by Yoel Greenberg	0
Music and Power at the Court of Louis XIII: Sounding the Liturgy in Early Modern France, by Peter Bennett	0
“Empty Claims of Fellowship”? Erich Doflein, Paul Hindemith, and Übungsmusik as Shared Task	0
Contributors to This Issue	0
The Musical Language of Italian Opera, 1813–1859, by William Rothstein	0
#AlmaToo: The Art of Being Believed	0
The Haydn Economy: Music, Aesthetics, and Commerce in the Late Eighteenth Century, by Nicholas Mathew	0
The Search for Medieval Music in Africa and Germany, 1891–1961: Scholars, Singers, Missionaries, by Anna Maria Busse Berger	0
De Nueva España a México: El universo musical mexicano entre centenarios (1517–1917), edited by Javier Marín-López	0
Summer of Soul (… Or, When the Revolution Could Not Be Televised), directed by Ahmir “Questlove” Thompson	0
Shared Musical Lives: Philosophy, Disability, and the Power of Sonification, by Licia Carlson	0

She Played and Sang: Jane Austen and Music, by Gillian Dooley	0
Contributors to This Issue	0
Vaughan Williams and His World, edited by Byron Adams and Daniel M. Grimley	0
Musical Migration and Imperial New York: Early Cold War Scenes, by Brigid Cohen	0
The Neural Orchestra: Cognitive Instrumentalities	0
Author Submission Guidelines	0
Digitizing Public Musicology	0
Index to Volume 76	0
Contributors to This Issue	0
Flaming? The Peculiar Theopolitics of Fire and Desire in Black Male Gospel Performance, by Alisha Lola Jones	0
The Global Tonnetz	0
Vera Lynn Sings: Domesticity, Glamour, and National Belonging on 1950s British Television	0
Instrumental Music in Late Eighteenth-Century Naples: Politics, Patronage and Artistic Culture, by Anthony R. DelDonna	0
The Promise and Peril of Making Digital Maps Sing	0
Material Cultures of Music Notation: New Perspectives on Musical Inscription, edited by Floris Schuiling and Emily Payne	0
Alberta Hunter, Musical Qualia of Blackness, and Black Women Working Together	0
Clara Schumann Studies, edited by Joe Davies	0
Digital Open-Access and Open Educational Resources for the Music History Classroom	0
Sound Relations: Native Ways of Doing Music History in Alaska, by Jessica Bissett Perea	0
Creatures of the Air: Music, Atlantic Spirits, Breath, 1817–1913, by James Q. Davies	0
Sounding Human: Music and Machines, 1740/2020, by Deirdre Loughridge	0
Author Submission Guidelines	0
Global Chopin: The 1949 Centenary and Polish Internationalism during the Early Cold War	0
Sounding Together: Collaborative Perspectives on U.S. Music in the 21st Century, edited by Charles Hiroshi Garrett and Carol J. Oja	0
Contributors to This Issue	0
Seachanges: Music in the Mediterranean and Atlantic Worlds, 1550–1800, edited by Kate van Orden	0
Colloquy: Theorizing Global Music History	0
Publications Received	0
Songs of the New World and the Breath of the Planet at the Orbis Spike, 1610: Toward a Decolonial Musicology of the Anthropocene	0
Buckra: Whiteness and Porgy and Bess	0
Prior Art: Forensic Evidence of Musical Originality in Copyright Litigation	0
A Poetics of Handel’s Operas, by Nathan Link	0
Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland, by Andrea F. Bohlman	0
Publications Received	0
The Comedians of the King: “Opéra Comique” and the Bourbon Monarchy on the Eve of Revolution, by Julia Doe	0
The Shadow of the Empress: Fairy-Tale Opera and the End of the Habsburg Monarchy, by Larry Wolff	0
Olin Downes and the Soviets	0
Reevaluating Political Musiktheater and Reversing Colonialist History: Mauricio Kagel’s Mare Nostrum (1975)	0
Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300–1550, by Sarah Ann Long	0
Contributors to This Issue	0
Sacred Sounds, Secular Spaces: Transforming Catholicism through the Music of Third-Republic Paris, by Jennifer Walker	0
Where Sight Meets Sound: The Poetics of Late-Medieval Music Writing, by Emily Zazulia	0
Music in the Flesh: An Early Modern Physiology, by Bettina Varwig	0
Sonic Bodies: Text, Music, and Silence in Late Medieval England, by Tekla Bude	0
The Beethoven Syndrome: Hearing Music as Autobiography, by Mark Evan Bonds	0
Voice, Slavery, and Race in Seventeenth-Century Florence, by Emily Wilbourne	0
Aesthetic Wit(h)nessing in Anti-lynching Songs by Silvestre Revueltas and Carlos Chávez	0
Contributors to This Issue	0
Women and Music in Sixteenth-Century Ferrara, by Laurie Stras	0
The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront, by Cisco Bradley	0
Nothing but Noise: Timbre and Musical Meaning at the Edge, by Zachary Wallmark	0
Evliya’s Song: Listening to the Early Modern Ottoman Court	0
Author Submission Guidelines	0
“Listen and Be Amazed!”: Odeon, Künneke, and the First Recordings of Complete Symphonies	0
Publications Received	0
Throwing off the Russian Lenses from Soviet Music: The Colonization and Decolonization of Georgian and Ukrainian Music	0
From Modes to Keys in Early Modern Music Theory, by Michael R. Dodds	0
Devotional Refrains in Medieval Latin Song, by Mary Channen Caldwell	0
Contributors to This Issue	0
On the Failure of White Feminism: When PJ Harvey and Björk Covered the Rolling Stones’ “Satisfaction”	0
On Music Theory, and Making Music More Welcoming for Everyone, by Philip Ewell	0
Hector Berlioz’s Neurophysiological Imagination	0
Colonial Galant: Three Analytical Perspectives from the Chiquitano Missions	0
From the Ruins of Enlightenment: Beethoven and Schubert in Their Solitude, by Richard Kramer	0
Elisabeth Lutyens and Edward Clark: The Orchestration of Progress in British Twentieth-Century Music, by Annika Forkert and The Life and Music of Elizabeth Maconchy, by Erica Siegel	0
Singing Webern, Sounding Webern: Bethany Beardslee, Grace-Lynne Martin, and Marni Nixon, 1950–1957	0
Author Submission Guidelines	0
History beyond Recovery: Julius Eastman and the Challenge of the Heterological	0
New Orleans and the Creation of Transatlantic Opera 1819–1859, by Charlotte Bentley	0