African Arts

Papers
(The TQCC of African Arts is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Listening as a Radical Act Conversations on Decoloniality and Fashion6
The Cloth That Eats Money: Ṣeghoṣen as a Symbol of Prestige2
Doran Ross: The Scholar of Akan Art2
(In)visibility and African Fashion in UK Museums2
Textiles in the History of the History of African Art2
Personal Reflections on Technologies and the Study of African Art2
The “Negress” of Alexandria: African Womanhood in Modern Egyptian Art1
Beyond Listening: Systemic Transformation in Fashion Studies and Fashion Collections1
“No caminho das Estrelas”: How Socialism Created a Framework for the Emergence of Postindependence Modern Art in Angola1
[Re:]Entanglements: Colonial Collections in Decolonial Times curated by Paul Basu1
Power and Play1
Talking, Stuttering, Speaking Whilst Listening Intently for a Promise of Egalitarian Regeneration: A Five-Way Conversation1
Restitution: Paths Toward a Clearing1
Heroes: Principles of African Greatness curated by Kevin Dumouchelle1
The African Origin of Civilization curated by Alisa LaGamma and Diana Craig Patch; Before Yesterday We Could Fly: An Afrofuturist Period Room curated by Hannah Beachler, Michelle Commander, Ian Alteve1
Reflection on Benin Repatriation Conversation1
Nkwọ Onunu Cultural Heritage in Nsukka Igbo, Nigeria1
The Making of Contemporary Art in Tanzania1
Exposing Something to Someone While Exposing Someone to Something: blaxTARLINES Exhibition Cultures There-Then-And-Hereafter1
Dancing Altars1
Doran H. Ross1
Remembering the Herero-Nama Genocide in Namibia1
“If a Woman Knows Cult Secret, She Must Never Tell”: Ritual Consecration, Secrecy, and Female Power in Egungun Pageantry Among the Yoruba1
Arts of Global Africa: A Curatorial [Re]Vision of a Museum's Legacy1
The Long View: Leadership at a Critical Juncture for “African Art” in America1
Hidden Elements: Victor Ekpuk's Illustrations for the Daily Times of Nigeria1
Transforming Art from Commodity to Gift: kąrî’kạchä seid'ou's Silent Revolution in the Kumasi College of Art1
Urban Taxi Slogans: The People's Arts1
Ways of the Rivers: Arts and Environment of the Niger Delta0
Gatekeepers and Vengeful Spirits of the Ọ̀wọ̀ Past: Word and Act Made Visible0
Beyond Aesthetics: Use, Abuse, and Dissonance in African Traditions0
Unfixed: Photography and Decolonial Imagination in West Africa0
Beyond the “Popular” versus “Serious” Criticism Binary: Towards New Histories of Black Art Criticism0
Art du Bénin d'hier et d'aujourd'hui: de la Restitution à la Révélation curated by Léa Awunou Roufai and Yassine Lassissi (contemporary art) and Edmond Toli, Alain Godonou, and José Pliya (Danxomèan a0
African Vernacular Symbols of Black Intersex Children in Sinethemba Ngubane's Installations (2007-2016)0
On Stage-Crafting and State-Crafting Beyond Crisis: Ibrahim Mahama's Word and Deed0
Media Primitivism: Technological Art in Africa By Delinda Collier0
Africa Fashion curated by Christine Checinska and Elisabeth Murray and curated by Ernestine White-Mifetu and Annissa Malvoisin0
Women and Photography in Africa: Creative Practices and Feminist Challenges0
The Lower Niger Bronzes: Beyond Igbo Ukwu, Ife, and Benin by Philip M. Peek0
The Language of Beauty in African Art curated by Constantine Petridis0
Fatimah Tuggar: Home's Horizons0
After All Is Said and Done: On Fluid Solidarity and Survival0
Traditional Igbo Architecture: A Symbolic Evaluation0
An Unwavering Passion: Doran Ross's Scholarship on Asafo Flags0
Bisi Silva0
L'Art de cour d'Abomey, le sens des objets by Gaëlle Beaujean0
Teaching African Art in the Time of AI0
Embodied Morality: Ekpri Àkàtà Masquerade of Efik Society, Nigeria0
Egypt in/and Africa Exhibitions, Questions and Complexities in American Art Museums0
Art, Socialism, and Solidarity at the International Congress of Africanists, 1962–19730
Ancestors in Search of Descendants: Stone Effigies of the Ancient Sapi by F. J. Lamp0
Heroes: Principles of African Greatness by Kevin D. Dumouchelle0
Editing in the Time of COVID0
Dr. Lilian Mary Nabulime: Embodying Social Being curated by Dr. Lilian Mary Nabulime and Basak Tarman0
New Masks, New Meanings: Covid Perspectives on African Art History: Part 2: Coups, Pandemics, and Careers in African Art History0
Risks, Challenges, and Possibilities Building a Future in African Arts0
Panoramas from the Periphery: Women's History Tapestries at Rorke's Drift0
African Masking Systems: An Archive Of Social Commentary0
So, What Do We Do Now?0
Erratum: Textiles in the History of the History of African Art0
L'engagement Financier des Pays Depositaires: Un Element Cle de la Reparation0
Second Careers: Two Tributaries in African Art0
Smoke, Dust, and Blood0
The Ritual Solidarity of Masked Processions in Calabar, Cameroon, and Cuba0
Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World by Anna Arabindan-Kesson and Visualizing Empire: Africa, Europe, and the Politics of Representation edited by Rebecca Peabody,0
Remembering a Great Man: A Conversation with Kwame Akoto of Almighty God Art Works0
Doran Ross, Our Mentor and Friend0
Ernest Mancoba: “I Shall Dance in a Different Society”0
Calabar Carnival0
Contemporary Mythos of Spirits and Genies: A Conversation with Ibrahima Thiam0
Saturdays0
A Reconsideration of the History and Iconology of Yorùbá Equestrian Figure through Two Ifá Verses and the Ojúde-Ọ ba Festival0
The Way She Looks: A History of Female Gazes in African Portraiture—Photographs from the Walther Collection0
Early African Ivories0
Michael Armitage0
Sam Joseph Ntiro: Mapping the Path of a Pioneering Artist, Educator, Scholar, Diplomat, and Civil Servant0
Art for People's Sake: Artists and Community in Black Chicago, 1965-1975 by Rebecca Zorach0
Changes Everywhere You Look0
Reimagining Borders curated by Clairmont Chung0
The House Was Too Small: Yorùbá Sacred Arts from Africa and Beyond0
TEXTURES: The History and Art of Black Hair0
Colonial Legacies: Contemporary Lens-Based Art and the Democratic Republic of Congo by Gabriella Nugent0
Lumumba in the Arts0
Pape Diop's Mystical Graffiti: A Twenty-Year Retrospective0
Imperatives of Restitution: Standards and Funding0
Doran—The Elephant-in-Chief0
We Write to You About Africa curated by Laura De Becker and Ozi Uduma; Wish You Were Here: African Art and Restitution curated by Laura De Becker, Bridget Grier, Timnet Gedar, and Ozi Uduma0
Freddy Tsimba, Mabele Eleki Lola! The Earth, Brighter than Paradise0
A Museum of Black Civilizations in the Contemporary World: In conversation with Hamady Bocoum0
Touria El Glaoui0
The Flip-flop Toys of Saarenald T. S. Yaawaisan in the Bryn Mawr Art and Artifact Collections0
Power Objects0
Morphing Identity and Style in Contemporary Ghanaian Painting: Two Artists From Sekondi-Takoradi0
Picasso's Demoiselles: The Untold Origins of a Modern Masterpiece0
African Textiles, Fashionable Textiles: An Introduction0
Picasso in Dakar, 1972-2022 curated by Guillaume de Sardes, Hélène Joubert, El Hadji Malick Ndiaye, and Ousseynou Wade0
Kanga Cloths at Vlisco: An Object-Based Study of Dutch Printing for the Colonial East African Market, 1876–19710
Afropolitanist Return and Circulation0
Writing with Others0
African Modernism in America, 1947–19670
Continental Collaboration: Consulting, Institution Building, and Mentoring Across Africa0
Alternative curated by Jean Kamba0
Senegalese Stagecraft: Decolonizing Theater-Making in Francophone Africa by Brian Valente-Quinn0
Breathing Room: Working Principles of Independent Art Spaces in African Cities0
PLAN B, a Gathering of Strangers (or) This Is Not Working by Goldendean0
African Socialist Cultural Policy: Senegal under Senghor0
Forensic Art History?0
Peju Alatise0
Uli: The Colonial Archive as Decolonial Cultural Resource0
Doran Hrothgar Ross Scholar, Trickster, Connoisseur0
Oubour curated by Vanessa Brito and Suspended spaces and Femmes d'Alger dans leurs nouveaux appartements curated by Vanessa Brito0
Exchanging Symbols: Monuments and Memorials in Post-Apartheid South Africa0
What Is African Art? A Short History by Peter Probst0
Cosmopolitanism and Women's Fashion in Ghana: History, Artistry and Nationalist Inspirations by Christopher L. Richards0
Back-and-Forth: Cutting Our Coats According to Some Cloths and Other Smaller Things …0
Igshaan Adams: A Body of Work0
Inside History: Seeking Figurative Thinking0
Afro-Catholic Festivals in the Americas: Performance, Representation, and the Making of Black Atlantic Tradition0
Revealing Relationships: Colonial Photograph Albums of the Niger Delta at the British Museum: A Case Study0
Cloth is Money: Textiles from the Sahel0
Erratum: Gosette Lubondo: Imaginary Trip0
Paa Joe: Gates of No Return0
Rethinking America's Past: Voices from the Kinsey African American Art and History Collection0
A Quiet Revolution in Arts Education: The Rise of blaxTARLINES Kumasi0
The View From Here: Contemporary Perspectives from Senegal0
New Masks, New Meanings: Covid Perspectives on African Art History: Part 1: Behind The Mask: African Art History in a Pandemic Era0
El Anatsui: The Reinvention of Sculpture by Okwui Enwezor and Chika Okeke-Agulu0
The “Black Art” Renaissance:African Sculpture and Modernism Across Continents0
Excellent!: Textiles from Mali0
Afterlives of the Black Atlantic0
Moth to Cloth: Silk in Africa0
Bámigbóyè: A Master Sculptor of the Yorùbá Tradition curated by James Green and Bámigbóyè: A Master Sculptor of the Yorùbá Tradition by James Green with contributions by Olúṣẹ̀yẹ Adéṣọlá, Anne Turner 0
Crowning Achievements: African Arts of Dressing the Head0
The Abolition of Museums of African Art0
Doran's Being in Africa0
Khatt Islāmi: Sacred Scripts from Islamic Africa0
Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria0
The Contemporary Art World, Africa, and the Women Who Have Brought About Change0
Present Pasts of Colonial Modernity: Embroideries by Lucie Kamuswekera0
Create to Free Yourself curated by Stephan Köhler0
Atta Kwami: September 14, 1956-October 6, 20210
Practicing Decoloniality0
One Who Dreams Is Called A Prophet by Sultan Somjee0
100 × Congo: A Century of Congolese Art in Antwerp0
“We are Yoruba” or the Notion of African Art in Brazil0
Sidney Littlefield Kasfir 1939–20190
Tragedy of the Nation in Ndidi Dike's State of the Nation0
Honoring Doran Ross: The Beads, Body, & Soul Project & Beyond …0
The Place of Socialism in African Art0
On the Origins of the Récades of the Kings of Dahomey0
Exterminate All the Brutes directed by Raoul Peck0
Motifs in Motion: Fes Belts (Ahzima) and Moroccan Design Innovation in the Mediterranean World0
Lagos and Its Representation in Visual Arts0
Practical Work: Sapeuses (Women Sapeurs) in Kinshasa, Democratic Republic of the Congo0
Beyond Single Collections0
I Hold in My Hand…: Prestige, Rank, and Power0
Decolonizing Heritage: Time to Repair in Senegal by Ferdinand de Jong0
The Arts of Africa: Studying and Conserving the Collection, Virginia Museum of Fine Arts by Richard B. Woodward, Ash Duhrkoop, Ndubuisi Ezeluomba, Sheila Payaqui, Ainslie Harrison, Casey Mallinckrodt,0
A Note on African Socialism0
Decorative Arts of the Tunisian École: Fabrications of Modernism, Gender, and Power0
Ìgwèbúiké: Exhibition of Sculpture in Honour of El Anatsui at 75 Years0
The Swahili World0
The Artfulness of Death in Africa0
Before Nollywood: The Ideal Photo Studio curated by Amy Staples. Iké Udé: Nollywood Portraits Originating curator: Selene Wendt; Smithsonian curator: Karen Milbourne0
Facing Toward the Future: How New Categories May Emerge0
African Textiles, Fashionable Textiles: A Historiography0
Doran H. Ross 1947–20200
N'Goné Fall0
Susan Mullin Vogel: Disturbing Expectations0
Bloodflowers: Rotimi Fani-Kayode, Photography, and the 1980s0
Full Circle: A Half Century of Friendship0
An Ancient Terracotta Figure from Sierra Leone0
“Africa's First Woman Press Photographer”: Mabel Cetu's Photographs in Zonk!0
Touched and Changed: Self-Reflexivity and Reciprocity in Fieldwork0
Pragmatism in Yoruba Art: Dada Areogun's Narrative Woodcarving as Cultural Stewardship0
Modernist Art in Ethiopia0
Unravelling Regional and Global Connections: Historical Kente and Related Textiles in Ghana, Togo, and Côte d'Ivoire0
The Thinkers0
William Fagaly March 1, 1938-May 23, 20210
African Apparel: Threaded Transformations Across the 20th Century0
Carnival and the Theme of Migration0
Gosette Lubondo: Imaginary Trip curated by Erica P. Jones and Elaine Eriksen Sullivan0
Doran H. Ross: His Fabulous Fowler Years0
Wrapped in Pride: Ghanaian Kente and African American Identity0
Déborder la Négritude: Arts, politique et société à Dakar0
The Financial Commitment of Repository Countries: A Key Element of Reparation0
Iklan Aesthetics in Niger: Identity and Adornment from Servility to Self-agency0
Doran H. Ross: Generosity. Intellect. Passion.0
Deep Ties: Cole and Ross, 1972–20200
African Arts — Global Conversations0
Carnival in Africa0
Archiving the Algerian Revolution in Zineb Sedira's Gardiennes d'images0
That the House May Stand Again: Veranda Posts in Ọ̀yọ́ Palace0
Sane Wadu: I Hope So curated by Mukami Kuria and Angela Muritu0
fiktion Kongo: Kunstwelten zwischen Geschichte und Gegenwart / Congo as Fiction: Art Worlds Between Past and Present0
The Doctor, Ghana, and Me0
Aïda Muluneh's Homebound: A Journey in Photography & Addis Foto Fest: Nine Years Survey0
Ceremonial Bill-Hooks from Sierra Leone0
Supporting New Futures in the Arts: From the Prince Claus Fund and Back0
Artifacts from the Perspective of Effutu Masquerade Performance: An Aesthetic Album0
“Where Shall We Place Our Hope?”: COVID-19 and the Imperiled National Body in South Africa's “Lockdown Collection”0
Mapping the Earth's Embrace: Queer Life-Building in Mame-Diarra Niang's Éthérée0
Sahel:Art and Empires on the Shores of the Sahara0
“Knowledge” or “Progress?”: Do They Have to Be Mutually Exclusive?0
Photo Cameroon: Studio Portraiture, 1970s-1990s0
We Made It in Venice! But Then …? Reversing Notions of Center and Periphery0
Dream No Small Dream0
Shifting Landscapes0
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