Popular Music and Society

Papers
(The TQCC of Popular Music and Society is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)
ArticleCitations
Saturation Season: Inclusivity, Queerness, and Aesthetics in the New Media Practices of Brockhampton22
What Is Popular Music? What Is an Album? A Review of Two Recordings What Is Popular Music? What Is an Album? A Review of Two Recordings Towards a Frontier 18
Ton Steine Scherben: A Unique Hybrid of Psychedelic Rock and Battle Song13
“Just Beyond Our Reach”: Reggae, Decolonization, and Ambiguity in Aotearoa New Zealand13
The Institutionalization of Inequality: Female Vocalists’ Struggles in the Chinese Jazz Scene12
Drowning Out Escapism: Performances of Transformative Confinement in the Work of Beyoncé and Harry Styles11
Rock and Roll, Desegregation Movements, and Racism in the Post-Civil Rights Era: An “Integrated Effort,”7
Rockin’ the Free World! How the Rock & Roll Revolution Changed America and the World7
Eluding the State, Reimagining Malaysia: Controversy and Multicultural Heteroglossia in Namewee’s Music Videos7
American Punk and the Rhetoric of “Political Correctness”5
Independent Canadian Music in the Streaming Age: The Sound from above (Critical Political Economy) and below (Ethnography of Musicians)5
Fikret Kızılok’s Songs as an Object of Memory and Protest in Türkiye5
The Cambridge Companion to Music in Digital Culture5
The Law of Averages: The Use and Abuse of Statistics in UK Music Streaming Debates4
The Furious Women and Victim Men of Turkish Pop Music: A Lyrical Exploration of Turkish Pop Hits of the 2000s4
This City Needs Street Music: Practices, Experiences, and Meanings in the Busking Scene of Hong Kong4
Listening to Bob Dylan3
Istikhbars and Improvisations3
R. Serge Denisoff Award2
Listening, but Not Being Heard: Young Women, Popular Music, Streaming, and Radio2
Black Fatherhood, Hip Hop, and Inner Life: Reading Rapsody’s “The Man” and Mama Sol and the N.U.T.S.’s “Manhood”2
Lesbian Feminist Music and Meaningful Community Work2
Rock and Roll, Desegregation Movements, and Racism in the Post-Civil Rights Era: An “Integrated Effort,” Rock and Roll, Desegregation Movements, and Racism in the Post-Civil Rights Era:2
DIY House Shows and Music Venues in the US: Ethnographic Explorations of Place and Community DIY House Shows and Music Venues in the US: Ethnographic Explorations of Place and Community2
Rap Music and the Youth in Malawi: Reppin’ the Flames2
R. Serge Denisoff Award2
Singing a New Technology of Car Riding: Jitney-Bus Songs, 1915-19172
Copyright and the Ethics of Sampling: The Lesson of the Czech Music Scene2
Digital Man or Jocko Homo: Rush, Devo, and competing visions of the technofuture1
Judith Durham (1943-2022)1
Sad Girls on TikTok: Musical and Multimodal Participatory Practices as Affective Negotiations of Ordinary Feelings and Knowledges in Online Music Cultures1
Holographic ABBA: Examining Fan Responses to ABBA’s Virtual “Live” Concert1
One More Turn after the Algorithmic Turn? Spotify’s Colonization of the Online Audio Space1
“Filipino Seekers of Fortune”: Jazz as Labor in 1920s Colonial Asia1
“The Secret Sauce”: Popular Jazz Performances on TikTok1
Presenting the Studio on Record Covers: Changing the Understanding of Swedish Jazz Records1
How Music Empowers: Listening to Modern Rap and Metal How Music Empowers: Listening to Modern Rap and Metal , Steven Gamble, New York, Routledge, 2021, 188 pp., $48.95 (1
Musicians as Workers and the Gig Economy1
ArethaAretha, by Aretha Franklin, Rhino Entertainment R2-643,463, 2020, 4 CDs, $36.951
Recording Currently and Formerly Incarcerated Musicians: An Interview with Fury Young of FREER Records1
Fifty Years of Popular Music and Society: Workin’ on a Groovy Thing1
Mexican Canto Nuevo: Music, Politics, and Resistance1
Tlaxihuiqui1
Ways of Hearing: Reflections on Music in 26 Pieces Ways of Hearing: Reflections on Music in 26 Pieces , edited by Scott Burnham, Marna Seltzer, and Dorothea von Moltke, 1
The Lo-Fi Lens: Interpretations of Memphis Rap Tape Rips in the Online Mediascape1
Audiencing in China: Foreign Rock Musicians’ Perceptions of Difference and Sameness1
“Town’s Dead”: Contemporary Irish Popular Music and Dublin City1
Distillation of Sound: Dub and the Creation of Culture1
Rocking the Closet: How Little Richard, Johnnie Ray, Liberace, and Johnny Mathis Queered Pop Music1
Managed Hearts: Emotional Labor and Structural Change in the Work of Young Female Music Managers in Hungary1
“More Champion than the Champions”: Female Masculinity in Lālehzari Music and Filmfarsi1
The Return to Craft: Taylor Swift, Nostalgia, and Covid-191
Women in the Studio: Creativity, Control and Gender in Popular Music Sound Production1
Who let the DAWs Out? The Digital in a New Generation of the Digital Audio Workstation1
Popular Music Ontology (Taylor’s Version): Re-Recordings, the Rock Ideology, and Taylor Swift1
Introspecting the History: Rhetorical Constructions in the Interconnectedness of Chinese Folk and Hip-Hop Music1
Ramsey Lewis (1935-2022)1
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